Rabu, 26 November 2014

[N398.Ebook] Ebook Download Nudibranchs of the World, by Helmut Debelius, Rudie H. Kuiter

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Nudibranchs of the World, by Helmut Debelius, Rudie H. Kuiter

This fantastic book sets a new benchmark for the identification of Nudibranchs.

 It presents Nudibranchs that have been photographed by the authors over a period of more than 30 years, along with numerous pictures by contributing diving friends and scientists from around the world.

 With over 2500 color photos of Nudibranchs in their natural environment, over 1180 species of Nudibranchs illustrated, in large letter format, 360 pages, hardcover bound, it is a comprehensive photo identification guide to Nudibranchs of the world seas. A real achievement! It gives the identification of most Nudibranchs known to species level, it explains the relationships between species from different oceans, and it gives information on behavior (defense, camouflage, mimicry and more).

 This book is the perfect guide for divers, snorkelers, field workers, biologists, naturalists, scientists and photographers.

  • Sales Rank: #1182752 in Books
  • Published on: 2007-10-31
  • Original language: English
  • Dimensions: 11.10" h x 8.39" w x 1.06" l, 3.92 pounds
  • Binding: Hardcover
  • 360 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Stunning and comprehensive!
By AliPaliCdH
I am neither a diver nor a biologist, but I am fascinated by the amazing variety of animals that Mother Nature has created. I discovered nudibranchs a few years ago, and only recently treated myself to this terrific book. Very comprehensive, full of hundreds of stunning images of these amazing creatures. If you do a Goofle image search for nudibranchs, and want more than you can see there, this is the book to get.

2 of 2 people found the following review helpful.
Nudibranch Porn
By Amazon Customer
This is a BEAUTIFUL textbook-sized ID book. The pictures are amazing and inspire you to embark on your own nudi-scouting adventures. It may be seem expensive but the price is well worth it when you see the number of photos and all of the information that the authors compiled. I can sit flipping through this book for hours. It's amazing!

0 of 0 people found the following review helpful.
Fantastic book!
By James G. Sherman
Saw this book Ina dive boat in Indonesia. And ordered it when I got home. Fantastic book!

See all 13 customer reviews...

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Minggu, 23 November 2014

[K197.Ebook] Download The Bluestocking and the Dastardly, Intolerable Scoundrel, by Jenni James

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The Bluestocking and the Dastardly, Intolerable Scoundrel, by Jenni James

Lord Alistair Compton could not believe Lady Lacey Lamb had the boldness to cut him in the middle of the Huffingtons’ ball. She flatly refused to stand up with him! He responded the only way a man of his consequence could—by placing a wager at White’s. Lady Ice would fall hopelessly in love with him before the Season was through.

Lacey had never been so appalled, so shocked, so scandalized! How dare the monstrous buffoon treat her so horridly, guaranteeing the gossips banter her name about over a ridiculous wager? It was not to be endured. With the help of her brother, Lord Melbourne, a counter bet was placed, and the stakes were high—for who could resist falling for the lovely bluestocking when she was most definitely in the right?

  • Sales Rank: #57889 in eBooks
  • Published on: 2016-03-09
  • Released on: 2016-03-09
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fun, light read
By Amazon Customer
I love Jenni James books! Fun, witty, and enjoyable! I love that they are always clean romances! Keep us entertained Jenni!

0 of 0 people found the following review helpful.
Wealthy fearless woman meets dashing young man in a struggle of wills
By James U. Scott
First of series of romantic novels with good characters, and heroic plot . No real villians,

4 of 4 people found the following review helpful.
A fun, entertaining, and enjoyable read...
By Singing Librarian Books
As always, Jenni James has written a fun, entertaining, and enjoyable read. As her first regency romance, The Bluestocking and the Dastardly, Intolerable Scoundrel is an absolute delight. This is a tale of a bold young women, Lady Lacey Lamb, that never received her coming out ball due to a family situation. At a recent ball though, she has the audacity to refuse to dance with Lord Melbourne. And so a battle between the two begins, including a crossing of bets placed at White’s. Although the romance in the story is fairly predictable and the romance seems to happen fast, this novel is still entertaining. A clean and humorous romance, previous readers of Jenni’s novels are not going to want to miss this light, fun, and clean regency romance!

Series: Regency Romance
Genre: historical, regency
Publisher: Trifecta Book
Publication date: March 9, 2016
Number of pages: 136

Content Rating: PG, some kissing and flirtations, clean
Book Rating: 4 stars

Other books in the series:
2-Lord Romney’s Exquisite Widow (coming March 2016)
3-Lord Atten Meets His Match (coming June 2016)
4-My Fair Miss Bentley (coming November 2016)
5-The Slighted Wallflower (coming December 2016)
6-Miss Hollands Revenge (coming TBD)

A review copy of this book was provided by the author.

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Senin, 17 November 2014

[L997.Ebook] PDF Download THE BIBLICAL GUIDE TO ALTERNATIVE MEDICINE, by DR. MICHAEL JACOBSON, DR. NEIL T. ANDERSON

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THE BIBLICAL GUIDE TO ALTERNATIVE MEDICINE, by DR. MICHAEL  JACOBSON, DR. NEIL  T. ANDERSON

Do you need help evaluating all the confusing medical, herbal and alternative therapies out there? This resource helps you decide among holistic treatments through a biblically based, medically authoritative lens.

  • Sales Rank: #463666 in eBooks
  • Published on: 2012-06-20
  • Released on: 2012-06-20
  • Format: Kindle eBook

About the Author
Dr. Neil T. Anderson is founder and president emeritus of Freedom in Christ Ministries. He has 20 years of pastoral and teaching experience and was formerly Chairman of the Practical Theology Department at Talbot School of Theology. Neil has authored over twenty best-selling books on Christ-centered living including Victory Over the Darkness, The Bondage Breaker and Finding Hope Again. Michael Jacobson, D.O. is a board-certified osteopathic family physician who also holds an undergraduate degree in biblical studies. Following service in the military as a flight surgeon, Dr. Jacobson entered private practice and soon recognized the growing void of Church influence in health care. In 1995, he accepted a call to serve as an assistant pastor and founded Provident Medical Institute, an educational ministry dedicated to assisting Church leadership in effectively addressing health-care issues. Dr. Jacobson is author of The Word on Health, and lives with his wife, Susan, and their two sons in Ohio.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Walter R.
Interesting!

40 of 44 people found the following review helpful.
Excellent Resource
By M. Dittman
I was looking for Scriptural guidelines to help my family in choosing and using alternative medicines. I was especially concerned of the spiritual implications from using various alternative treatments, such as magnetic healing, reiki, accupuncture and applied kinesiology. (Spiritual implications came to be a concern after a number of disturbing personal experiences and reading several books - including "The Bondage Breaker" also by Anderson.) The Biblical Guide gave me the answers I was looking for and much more! It is well written, well-researched well-documented. It presents a 5 sided grid thru which an individual can investigate any medical treatment or therapy. I especially appreciate the fact that science is only one of the 5 and not the focal point. As Anderson and Jacobson point out - Science is not always right, Science is growing in it's understanding, and Science cannot become our 'god'. I also appreciate that while the author gave their concerns, they ultimately leave the decision to the reader saying that while a treatment is appropriate for one person, it might not be for the next person. Another thing I found suprising and refreshing was their inclusion of allopathic medicine. While they tend to say allopathy is one of the better options available, they gave several criticisms and warnings for using allopathy. Greatly appreciated from my perspective!

I also bought Alternative Medicine by Walt Larimore M.D., Donal O'Mathuna at the same time as The Biblical Guide. I will be returning Alternative Medicine after a quick overview told me it was rather biased towards Allopathy and science and did not contain the answers I was looking for!

The Biblical Guide was excellent! I highly recommend it and have already shared it with several friends and my Chiropractor who is also Christian!

6 of 6 people found the following review helpful.
The Biblical Guide to Altenative Medicine
By A. I. Juhani
Very good over view of the confusion we have with alternative healings. Gives you tools how to discern what is real and what is questionable or even dangerous.

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Summary

jQuery UI in Action is a practical guide to using and customizing jQuery UI library components to build rich, user-friendly web applications. By working through numerous engaging examples, you'll move quickly from placing a datepicker on the page to building a complete user interface that includes features like a contact form and shopping cart. You'll master jQuery UI's five main interactions—draggable, droppable, resizable, selectable, and sortable—and learn UI techniques that work across all devices.

Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications.

About the Book

You're only one tag away from richer user interfaces — ‹script src="jquery-ui.js"›. The jQuery UI library simplifies web UI development by providing robust widgets, interactions, and effects you can use immediately. It includes datepickers, autocompletes, tooltips, and a whole lot more. And, jQuery UI's powerful widget factory makes it a snap to customize existing components to meet your needs.

jQuery UI in Action is a practical guide to using and customizing jQuery UI library components. By working through numerous examples, you'll quickly master jQuery UI's twelve widgets and five interactions—draggable, droppable, resizable, selectable, and sortable. The engaging examples illustrate techniques that work across all devices. You'll use the widget factory to create reusable plugins and discover jQuery UI's CSS theming system that allows you to create a custom, cohesive look for your sites and your applications.

Written for front-end developers and web designers with a basic understanding of jQuery.

What's Inside

  • Create interactions that work on any device
  • Customizable widgets for web and mobile apps
  • Written by a member of the core jQuery UI team
  • Covers jQuery UI 1.11

About the Author

A professional web developer, TJ VanToll is a member of the jQuery UI core team.

Table of Contents

PART 1 MEET JQUERY UI

  • Introducing jQuery UI
  • Enhancing UIs with widgetsPART 2 JQUERY UI CORE
  • Building complex web forms with jQuery UI
  • Enhancing interfaces with layout and utility widgets
  • Adding interaction to your interfaces
  • Creating rich animations with effects
  • Theming and styling applications with jQuery UI
  • PART 3 CUSTOMIZATION AND ADVANCED USAGE
  • Using the widget factory to build stateful plugins
  • Extending widgets with the widget factory
  • Preparing your application for production
  • Building a flight-search application
  • Under the hood of jQuery UI
    • Sales Rank: #438150 in Books
    • Brand: Vantoll, T. J.
    • Published on: 2014-10-12
    • Original language: English
    • Number of items: 1
    • Dimensions: .79" h x 7.06" w x 9.52" l, .0 pounds
    • Binding: Paperback
    • 384 pages

    About the Author

    T.J. VanToll is a professional web developer experienced with developing large web applications. He is a member of the jQuery UI core team and has contributed to many open source projects. He blogs about his experiences on his personal blog and larger publications such as HTML5 Rocks and Script Junkie.

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    Learn jQuery UI from the horses mouth! It won't get better than this.
    By Rajesh Pillai
    I got a copy of this book and really enjoyed reading this. Its a very practical book and code snippets and concepts can be directly applied to your work. The author has given in-depth coverage on widget and advanced UI customization.

    This is a very handy book for those involved in heavy JavaScript development. Besides there is a good coverage on poly-filling HTML5 with jQuery UI.

    If you are working with jQuery UI in your project then this book is a must reference for your developers. It will save you lot of time and the coverage on widget factory is a treat.

    1 of 1 people found the following review helpful.
    This book can be your go-to guide for putting jQuery UI into action
    By Si Dunn
    TJ VanToll had two straightforward goals in mind when he decided to write this nicely prepared book: "I wanted to write about how to use the jQuery UI components in real-world usage scenarios and applications. I also wanted to tackle the tough questions for jQuery UI users. [Such as] Why should you use the jQuery UI datepicker instead of the native date picker included in HTML5? How do you use jQuery UI on mobile devices, especially in low bandwidth situations?"

    According to the jQuery Foundation, "jQuery is a fast, small, and feature-rich JavaScript library. It makes things like HTML document traversal and manipulation, event handling, animation, and Ajax much simpler with an easy-to-use API that works across a multitude of browsers. With a combination of versatility and extensibility, jQuery has changed the way that millions of people write JavaScript."

    The problem with popularity, of course, is that jQuery became widely employed soon after it was introduced in 2006. Users quickly created a flood of jQuery plugins that, Van Toll writes, "had inconsistent APIs, and often had little or no documentation. Because of these problems, the jQuery team wanted to provide an official set of plugins in a centralized location. In September 2007 they created a new library with these plugins--jQuery UI."

    He adds: "From a high level, jQuery UI was, and still is, a collection of plugins and utilities that build on jQuery. But dig deeper and you find a set of consistent, well-documented, themeable building blocks to help you create everything from small websites to highly complex web applications. Unlike jQuery plugins, the plugins and utilities in jQuery UI are supported by the jQuery Foundation. You can count on them to be officially supported and maintained throughout the life of your application."

    Well-written and well-illustrated, jQuery UI in Action reflects VanToll's knowledge and experience as a professional web developer and member of the core jQuery UI team.

    The book is structured into three parts, encompassing 12 chapters. And it assumes readers have at least basic experience with JavaScript, CSS, and jQuery.

    Part One's chapters introduce jQuery UI and "the ins and outs of widgets...the core building blocks of jQuery UI."

    Part Two's chapters offer "a comprehensive look at the components of jQuery UI: twelve jQuery UI widgets (chapters 3-4), five jQuery
    UI interactions (chapter 5), numerous jQuery UI effects (chapter 6), and the jQuery UI CSS framework (chapter 7)." VanToll explains how each component works and shows how to apply the knowledge to real-world applications. The example projects include: building complex webforms with jQueryUI; using layout and utility widgets; adding interaction to interfaces; and using built-in and customized themes to provide "a consistent look to all widgets."

    Part Three focuses on "Customization and advanced usage." Here, VanToll explores such topics as using the widget factory to create custom widgets, preparing applications for production, and building a flight-search application "at real-world scale." In the final chapter, he takes us under jQuery's hood "to dig into a series of utilities, methods, and properties intended for more advanced usage of the library."

    If you work with jQuery or are ready to start using it, take a good look at jQuery UI. TJ VanToll's new book can be your go-to guide for getting, learning and putting jQuery UI into action.

    (Thanks to Manning Books for providing a review copy.)

    1 of 1 people found the following review helpful.
    The name says it all
    By Deshrek
    The name says it all: the book is something you could put into action and apply to your web application development immediately.

    I was working on a project to integrate some web applications when I got a copy of "jQuery UI in Action". Since the vendor's applications UI is using some specific HTML template system that seems clunky, ugly and hard to customize, I decided to give jQuery UI a try. It really made a difference after I followed the examples in the book as I was able to significantly simply the logic of my script while making the theme similar to the old web application the project is replacing.

    The author has been using and developing jQuery UI for more than five years and it shows his in-depth understanding of jQuery UI in a easy-to-follow way of description. He used a few real-world examples to explain different aspects of jQuery UI that could be easily used for one's web applications. I ending up using a lot for my project from his datapicker part of the doctor's appointment example.

    All the examples are very easy to follow with detailed annotations. The author stated in the foreword he tried not to make this a copy of API document but rather some real-world applications. The book definitely has achieved the goal.

    What I also like about this book is that the author is very frank in comparing jQuery UI vs HTML5 and also the pros and cons of jQuery UI. And I found its appendices are quite useful. I usually use FireBug for testing my javascript but the online testing tools the author recommended definitely helps.

    The book does not have too much information about generating dynamic data from database on server side. But that should not be considered a shortcoming as it is not directly related to jQuery UI at all and you could find tons of information for that elsewhere easily. In addition, the book does provide an example to use jQuery UI vs. GitHub web api.

    Disclaimer: I got my complimentary copy from Manning's reviewer's program.

    See all 7 customer reviews...

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    Good books on Neanderthals have been a pleasing feature of the last few years; especially notable being The Neanderthals (Trinkhaus and Shipman 1994) and the prize-winning, In Search of the Neanderthals (Stringer and Gamble 1994). This book is different from both; firstly in its concentration on South-West France (the best studied but only one part of the Neanderthal world) and, secondly, in its emphasis on the behavioural, rather than anatomical or strictly technological, aspects of the Neanderthal. Beautifully written, and making full use of every archaeological source, this book adds much to our overall picture of Neanderthal society, particularly in showing how the material record (rich from 115,000 to 35,000 years ago) reflects changing behaviour. While he discusses them in detail, the author finally takes a middle way between the two extremes of theory which have developed on how similar to modern humans Neanderthals really were.

    • Sales Rank: #2549553 in Books
    • Brand: Brand: Princeton University Press
    • Published on: 1995-12-22
    • Ingredients: Example Ingredients
    • Original language: English
    • Number of items: 1
    • Dimensions: 1.59" h x 7.87" w x 10.35" l, 2.96 pounds
    • Binding: Hardcover
    • 480 pages
    Features
    • Used Book in Good Condition

    Review
    "This serious treatment of Neanderthal behavioral patterns makes the volume very useful for student and professional archaeologists."--New Scientist

    About the Author
    Paul Mellars is both Reader in Prehistory and President of Corpus Christi College of the University of Cambridge. He is the editor, with Christopher Stringer, of The Human Revolution: Behavioral and Biological Perspectives on the Origins of Modern Humans (Princeton).

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    The Neanderthal Legacy
    By Amazon Customer
    One of the serious books on the subject, which addresses many technical points. The book is older, which the discounted price I paid reflects, and I am happy with my purchase. For someone who is seriously interested in the subject and wishes a good reference, the book fills the role well. (Other reviews go into more detail on this point.) I am a non-expert, so this should be taken into account by the reader of the review.

    11 of 11 people found the following review helpful.
    Detailed but not boring
    By Bacchus
    Great overview of Neanderthal archaeology, with one of the best accounts of their tool technology in any textbook. Strictly based on facts, and not given to speculation, he gives a very conservative assessment of their cognitive abilities. Offers a clear structure, and is not difficult to read. Not just for academics.

    9 of 9 people found the following review helpful.
    Excruciating but worthwhile
    By Laura Knight-Jadczyk
    If you really want just the FACTS about Neanderthals, this is the book to read. Even if you are not an academic, but just a curious lay-person like myself. Yes, it can be excruciatingly detailed in examining everything that is so far known about these extinct hominids, (I had no idea that you could write hundreds of pages about how rocks are chipped!) but those details can be very revealing if considered rationally and prudently as Mellars does. There are plenty of maps, illustrations and graphs to support the text and the wrap-up at the end is conservative yet expressive. As Mellars writes:

    "Perhaps the most intriguing and enigmatic aspects of the Middle Paleolithic period is how and why it came to an end, after a period of around 200,000 years of remarkable stability. From the preceding chapters it has emerged that while there were significant shifts in the precise morphology and technology of stone tool production, subsistence patterns, site distributions etc. at different stages of the Middle Paleolithic, very few if any of these seem to reflect any radical reorganization or restructuring of technological, economic or social patterns. Most of the documented changes appear to be more cyclical than directional in character... none of these changes at present suggests more than a reshuffling of basic cultural and behavioural patterns which, in one form or another, can be traced back into the time range of the penultimate glaciation.

    The dramatic break in this pattern of behavioural stability occurs at the time of the classic Middle-to-Upper Paleolithic transition, dated in most regions of Europe at around 35-40,000 BP."

    And then he asks the most important question in all of archaeology and paleontology: What is the precise character of the behavioural change and to what extent was this due to a major dispersal of new human populations. The corollary question is, of course: why should we encounter this particular combination of biological and behavioural change at this specific point in the archaeological sequence? It was, after all, a time when large parts of Europe were still in the grip of an Ice Age.

    The only way to fully know how extraordinary the new type of human being was/is, is to study carefully the old types, and that is what this book does so well. You will be left in no doubt whatsoever that Neanderthals are NOT our ancestors though, indeed, there may have been some extremely limited genetic mixing as some recent DNA studies show. It may be significant to note that the mtDNA does not show mixing, so whatever infusion of Neanderthal genetics into modern human lines was probably a Neanderthal raping a homo sapiens woman. A careful consideration of the characteristics of Neanderthals - what little can be discerned, but mainly their lack of creativity over 200,000 years or more of existence - along with the very small percentage of dna mixing, may give clues to certain personality pathologies among modern humans, such as psychopathy. One has only to imagine the mixture of the non-creative, almost parasitic Neanderthal personality with the dynamic, creative, Cro-Magnon to get an image of the aggressive, dominating psychopath that is devoid of creativity, has no ability to conceive of time and space, and functions totally opportunistically. Perhaps that is the real "Neanderthal Legacy"? Just speculating.

    I will note that, as is the habit of most academics, there is quite a bit of jargon that is specific to the field and if you are not a specialist, this may be a bit of a barrier to understanding. Just keep a notebook handy and jot down some of the terms and their definitions as they appear and you'll be fine. The main confusing elements have to do with terms used for dating, so it can help to pay close attention to chapter 2 and continuously refer to the graph on page 10. If you are persistent, by the time you are finished, you'll be tossing off jargon with the best of them!

    The book is a bit pricey and tedious for the lay-reader, but, as noted, if you want to get down to the nitty-gritty, this one does it best. Alternatively, you could read Ian Tattersall's and Jeffrey Schwartz's Extinct Humans or Paul Jordan's Neanderthal: Neanderthal Man and the Story of Human Origins But for the fullest picture of this fascinating period in the Earth's history, I would recommend all three and more.

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    • Original language: French
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    Faithfull: An Autobiography, by Marianne Faithfull

    From pop stardom through the depths of addiction to her punk-rock comeback, Marianne Faithfull's life captures rock 'n' roll at its most decadent and its most destructive. Faithfull's first hit, 1964's "As Tears Go By," opened doors to the hippest circles in London. There she frolicked with the most luminous of the young, rich, and reckless, including Bob Dylan, the Beatles, and the Rolling Stones.
    Her legendary affair with Mick Jagger produced one hit single, "Sister Morphine," and countless headlines. Faithfull left the relationship a strung-out junkie. Struggling to kick drugs and revive her musical career, she recorded Broken English in 1979, an edgy, hard-hitting, critical triumph. As honest in her autobiography as in her music, Faithfull is a searing, intimate portrait of a woman who examines her adventures and misadventures without flinching, without apology.

    • Sales Rank: #284443 in eBooks
    • Published on: 2000-06-06
    • Released on: 2012-08-06
    • Format: Kindle eBook

    From Publishers Weekly
    Early in this engrossing if somewhat disturbing autobiography, rock 'n' roll star Faithful remarks, "The ony way I could handle being on tour with all these weird people was to treat it as a sociological study." This approach aptly describes her dissection of her own life as well. Faithful is more analytical, ironic, self-scrutinizing and literate than most celebrity autobiographers. Writing with Dalton ( Mr. Mojo Risin' ), she depicts with penetrating insight the world of "free love, psychedelic drugs, fashion, Zen, Nietzsche, tribal trinkets, customized Existentialism, hedonism and rock 'n' roll" that absorbed her energies from the beginning of her singing career as a teenager in 1960s London. From her tumultuous four-year relationship with Mick Jagger through her descent into junkydom to her "comeback" in the late '70s as a punk-rock diva, Faithful embodies rock culture at both its most glamorous and most destructive. A self-described "victim of cool," she is nevertheless a tough (and often astutely feminist) commentator on the underside of the rock 'n' roll dream. Photos not seen by PW. Author tour.
    Copyright 1994 Reed Business Information, Inc.

    From Kirkus Reviews
    A searing autobiography by one of rock 'n' roll's most tragic and romantic figures. A descendant of Austrian novelist Leopold von Sacher-Masoch, the beautiful Faithfull was discovered by Rolling Stones manager Andrew Oldham in 1964 and became an instant pop celebrity with her recording of the brooding ``As Tears Go By,'' a song Oldham asked Mick Jagger and Keith Richards to write for her. In a short time, Faithfull had become an internationally famous music and movie star, but she had little control over her image or artistic output. With the aid of rock biographer Dalton (Mr. Mojo Risin': Jim Morrison, the Last Holy Fool, 1991, etc.), she describes her struggle against the passive ``Angel Doll'' persona foisted on her by the press and her relationship to the Stones, especially Jagger, for whom she left husband John Dunbar in 1966. A dark romanticism- -what she calls a ``Walter Pater aestheticism,'' replete with flashes of everything from astrology to black magic--pervades the narrative, which is chock-full of encounters with pop legends (John Lennon is ``amusingly cruel''; Allen Ginsberg ``has never been hip''). Faithfull, who's had her own share of same-sex dalliances, suggests it was sexual tensions among the highly repressed Stones that gave them their manic energy: ``Who was the great love of [Jagger's] life? Actually, I think it was Keith.'' The tone is both compelling and pathetic as Faithfull details two decades of drug abuse and numerous lonely attempts to escape her addiction. From watching a lover commit suicide to recent singing and acting successes on her own terms, Faithfull has lived enough for three or four people--yet she is only 47. Despite some trite prose (``Things were happening so fast and we were changing with them''), this holds greater interest than any other recent book about the Stones and their circle. (Author tour) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

    Review
    The most honest rock memoir yet published. (Entertainment Weekly)

    An eyewitness account of the folks who made the decade go round.... Everything's here, everything but the excuses. (Newsweek)

    Once accused of being part of a coven of witches surrounding the warlock Mick Jagger, pop goddess Marianne Faithfull is wickedly funny and down to earth in this indispensable record of the Swinging London scene. (Details)

    Compulsively candid, wickedly revealing.... A kaleidiscopic portrait of high times, bed-hopping, chart-topping, and name-dropping guaranteed to keep even the most jaded reader up late. (San Francisco Chronicle)

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    Sex, Drugs and some Rock and Roll.
    By Thomas R. Clarke
    This book mainly revolves around the story of Marianne's substance abuse. There are some interesting sections about her interactions with the Stones and Bob Dylan for example but always in the frame work of drugs. Her main association with the Rolling Stones was her involvement with Mick. Brian and Keith are also in the story quite a bit. Missing almost altogether are Bill Wyman and Charlie Watts who barely get a mention. It seems those two were not really part of the Stones social scene, at least in her view. The book is a fairly interesting look at the 60's and 70's time period, but the unending tales of drug abuse do become somewhat tedious. She is also not at all shy about throwing in many details of her sex life.

    4 of 4 people found the following review helpful.
    One of the best from a rock 'n' roll survivor - Faithfull has seen it all
    By Surferofromantica
    A fascinating book that describes the life of Marianne Faithfull and her many, many affairs, as well as a bit of her musical journey; there's also a lot about Faithfull's observations of the Rolling Stones, from her vantage point of having been with at least three of them (her buddy Anita Pallenberg has the same point of view, having also been with Brian, Jagger and Richards; unfortunately, she hasn't written her autobiography yet). Faithfull is married, with a child and a hit record when she's barely 20, her husband the beatnik hipster John Dunbar, who was actually much more hip and far deeper into stuff than Mick or Keith were in 1962. Life was a roller coaster of meeting people, getting famous, and then not turning back from that life ever again, from time to time getting frantic, getting crazy, getting up, collecting families to attach herself to since she didn't have a proper one herself, never responsible about money except for the early days with Dunbar when she was the only one bringing any into their young household. Small wonder she got messed up.

    Faithfull sometimes comes off like a princess, but she more often seems like a wise sage, and perhaps the smartest person to have ever come out of the Stones camp. Her earliest memories are recounted at the beginning, along with some interesting tales of her eccentric parents (amazingly, her goofy British father is even more extreme than her Austrian mother, a haughty but penniless aristocrat).

    The book is full of great anecdotes, like being on tour in the UK with Roy Orbison (who expected her to jump in with him), and a young Graham Nash when he was in the Hollies ("even I had enough sense to not be with him"). There are long descriptions of various trips and other mental journeys ("Sleep was out of the question. I lay down on the bed, but found that when I shut my eyes I could see right through my eyelids."). There's nearly a whole chapter about meeting the hip young Bob Dylan on his first visit to London, when he held court with the Beatles fawning at his feet, and fools like Donovan were mocked mercilessly. She describes being on tour, with Jimmy Page and Jackie DeShannon romping next door (Page had been a session man on "As Tears Go By" - "He played on almost all my sessions in the sixties. He was very dull in those days"). In 1965 she was on tour with a bunch of bands, including the Mannish Boys, whose lead singer was a young Bowie. Faithfull devotes most of the chapter "What's A Sweetheart Like You..." to a description of her first meeting with Bob Dylan, which happened just after she found out that she was pregnant and had gotten engaged to John Dunbar. Rejecting Dylan's advances, she gets into an intellectual discussion with him that sounds very Dylanesque:

    "How can you take a guy who wears glasses seriously," she quotes him saying. "Only undertakers and college professors and grandmas and people who can't even see what's in front of their noses wear glasses. He's an intellectual jerk, that's the worst kind of jerk there is."

    Ha ha ha... They meet again a few more times, later on to discuss her album Broken English song by song. Slowly, she slips into the Stones' orbit, first by being with Brian, then Keith, and eventually Mick, with whom she stays several fateful years (during which she provided the inspiration for several songs, also co-writing at least one song). Faithfull has great descriptive passages in her text about the Stones:

    Where Brian [Jones] was soft, malleable, vague and unstable, everything about Keith [Richards} was angular, flinty, compact, hard, disctinct. The hatchet face, chiselled, rock-hard features, Indian scout's eyes that bore through everything. The mysterious rider appearing out of nowhere. Hypnotic, sinister, disturbing. A cursed-by-fate intensity, set off against gorgeous clothes, self-mocking humor and a sardonic turn of phrase.

    Later, in the photo captions, she describes Keith again: "Bourbon to hand, switchblade in his boot, guitar across his back and the law at his heels - Keith Richards is rock 'n' roll." Mick she describes in many different ways:

    There is quite a perverse side to Mick and it's no accident that his anguished relationships produced some great songs. Mick is so grounded as a person he never loses his footing. He can be right there next to the person falling off the edge but not slip himself. For a songwriter, this is a very useful talent. He is able to observe the car crash at the moment of impact and escape unscathed - a quality that is extremely exasperating for the victims. I always envied Keith and Anita because they looked into the jaws of death together. It was never like that with Mick and me.

    She has her fun with Mick. "Like Ronald Reagan, he had learned to play a character more copmlex than his own." Ouch!! "The most indelible misconception to come out of Let It Bleed was the silly notion of Mick as the disciple of Satan. A devotee of satin, perhaps," and she describes the origins of "Sympathy for the Devil" in Mikhail Bulgakov's The Master and Margarita, which the well-read Faithfull had given Jagger a copy of. There's a hilarious encounter between Jagger and the Labour MP Tom Driberg:

    "My dear boy, we wouldn't expect you to attend to the day-to-day ephemera of the House. Not at all. We see you more as, uh, a figure-head, like, you know..."
    "The Queen?" said Mick, completing his sentence.
    "Precisely!"

    What a scream. the conversation is full of "funny chat and zinging questions", but when it founders, "in an awkward moment of silence Dribert looked at Mick's shorts and suddenly said 'What an enormous basket you have.'" Oh la la!!!

    This was all happening around the time that Eric Clapton was giving Jagger guitar lessons (?!?!).

    She recounts the weekend that she and Jean de Bretueil went to Paris and he sold Jim Morrison the dose that killed him (some sources claim that he had done the same thing for Janis Joplin!). They ran for Morocco. "Jean saw himself as a dealer to the stars. Now he was a small-time guy in big trouble. He was very young. Had he lived, he might have turned into a human being."

    Faithfull describes her life on the street in London, living on top of a bombed-out wall in a squat, and how she found some sort of truth there, eventually pulling herself out to resume her musical career, and possibly going straight eventually. Here the story starts to peter out, as celebrities like the Rolling Stones seldom show up, and Bob Dylan only makes an occasional appearance (Dylan never forgot their first encounter, and their reunion is peculiar. "I idolized Dylan, but to be idolized by Dylan is a very different thing... an unnerving thing. Terrifying, really, as if the Minotaur had taken a liking to you."). But in her new phase, we somewhat un-grounded as we no longer know or understand her co-conspirators. But her description of her remarkable life is always strong and fascinating, if somewhat maddening, tragic and pathetic as she makes herself a burden on friends, family and state. But she still does have several great anecdotes in her, such as the one of getting blotto with the Von Bülow's, and trying on shoes from Sonny's staggering collection. "I passed out and was found lying on the bed wearing pair number 57." She appeared in a documentary with Robert Michum, who gave her a classic movie era screen kiss in the middle of Hollywood Boulevard, and eventually became a grandmother. "Oscar looks just like me and therefore is the best thing ever." And that's that.

    1 of 1 people found the following review helpful.
    Disturbing Entertainment
    By Wedloe
    An interesting read and an insider's view of 'Swinging London' of the '60s. For me personally those were the best parts of the book...and in fact, make up the setting for 80% of Marianne Faithfull's story. On the other hand, this person was so tormented on so many levels by so many, that there were times I had difficulty reading through it. An uncommonly beautiful woman, and an intriguing mix of naivete and sexiness, she was a perfect model for the times...and everyone knew it and everyone wanted her. If only half of the reported drug use is true, there would be doubt as to her ability to recall accurately, so one must keep that in mind as you read the story. But it is a fascinating story of a fascinating time. She candidly recalls the strengths, the foibles, and the adventures of the members of an entourage that can only be described as rock royalty. Faithfull's eyewitness story of the Rolling Stones' rise to fame includes many anecdotes about their direction, inner-group dynamics, their management, even songwriting. Her 'post-Jagger' life is included here as well, including descriptions of several near-death experiences with her drug use. Towards the end of the story, Ms Faithfull describes finally reclaiming her life, but I still couldn't shake my impression that the wolf is still just outside her door. I'm pulling for her; she's an incredible person who deserves better. This is a good read, but be ready for some rough rides.

    See all 94 customer reviews...

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    [J406.Ebook] Get Free Ebook The Mystery at the Moss-Covered Mansion (Nancy Drew Mystery Stories, No. 18), by Carolyn Keene

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    The Mystery at the Moss-Covered Mansion (Nancy Drew Mystery Stories, No. 18), by Carolyn Keene

    The Mystery at the Moss-Covered Mansion (Nancy Drew Mystery Stories, No. 18), by Carolyn Keene



    The Mystery at the Moss-Covered Mansion (Nancy Drew Mystery Stories, No. 18), by Carolyn Keene

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    The Mystery at the Moss-Covered Mansion (Nancy Drew Mystery Stories, No. 18), by Carolyn Keene

    A friend of Carson Drew’s has been arrested and charged with sending a truck loaded with explosive oranges into the Space Center complex at Cape Kennedy. Knowing that Mr. Billington could not possibly be guilt of sabotage, Nancy and her father rush to the defense of the accused man. During the Drews’ investigation Nancy become suspicious of an old spooky mansion that houses fierce African wild animals on its extensive grounds. Soon, she discovers that something besides the training of wild animals is going on at the mysterious estate. Many dangerous moments await Nancy before she proves Mr. Billington’s innocence and thwarts the plans of treacherous subversives bent on undermining the U.S. space program.

    • Sales Rank: #275739 in Books
    • Brand: Grosset & Dunlap
    • Model: 923562
    • Published on: 1941-01-01
    • Released on: 1941-01-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.50" h x .75" w x 4.90" l, .51 pounds
    • Binding: Hardcover
    • 192 pages
    Features
    • Great product!

    About the Author
    Carolyn Keene is a pen name used by a variety of authors for the classic Nancy Drew Mystery series. The first author to use the pseudonym was Mildred Wirt Benson, who wrote 23 of the original 30 books. Other writers who have adapted the "Carolyn Keene" moniker include Leslie McFarlane, James Duncan Lawrence, Walter Karig, and Nancy Axelrod.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Five Stars
    By BAKlineRMR
    Great book!

    5 of 7 people found the following review helpful.
    Kindle Readers Beware--This is NOT the Moss-Covered Mansion
    By Lori J. Enrico
    I bought this book on Kindle, but it is NOT "Nancy Drew 18: Mystery of the Moss-Covered Mansion." I don't know what book Amazon (or the publisher) sent me instead using this title, but it is not the same book. I have the original book on my book shelf at home, and it took place well before the Kennedy Space Center was named such (original copyright date of 1941). The original was actually a very good story and one of my favorite Nancy Drew mysteries. This "pseudo-story" is blaaaaaah. Isn't there some kind of quality control to ensure a title gets delivered to the Kindle with the correct corresponding story? Wouldn't this be a copyright infringement by sending this story attached to the wrong title? I'm really asking--I don't know copyright law. I feel cheated by being lured to buy this book, when it wasn't the real thing.

    DO NOT BUY THIS BOOK ON KINDLE--IT'S A FAKE!

    2 of 3 people found the following review helpful.
    Nancy Drew - still great for girls
    By Susan Miller
    My 9 year old granddaughter suggested that two books in one would be easier to carry, so that's what we bought. She loved both books, proving that some things endure the test of time - Nancy is one of them.

    See all 36 customer reviews...

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    [O439.Ebook] PDF Ebook Do It: The Compendium, by Bruce Altshuler

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    Curated by Hans Ulrich Obrist, Do It began in Paris in 1993 as a conversation between the artists Christian Boltanski and Bertrand Lavier and Obrist himself, who was experimenting with how exhibition formats could be rendered more flexible and open-ended. The discussion led to the question of whether a show could take “scores” or written instructions by artists as a point of departure, which could be interpreted anew each time they were enacted. To test the idea, Obrist invited 13 artists to send instructions, which were then translated into nine different languages and circulated internationally as a book. Within two years, Do It exhibitions were being created all over the world by realizing the artists’ instructions. With every version of the exhibition new instructions were added, so that today more than 300 artists have contributed to the project. Constantly evolving and morphing into different versions of itself, Do It has grown to encompass “Do It (Museum),” “Do It (Home),” “Do It (TV),” “Do It (Seminar)” as well as some “Anti-Do Its”, a “Philosophy Do It” and, most recently, a “UNESCO Children’s Do It.” Nearly 20 years after the initial conversation took place, Do It has been featured in at least 50 different locations worldwide. To mark the twentieth anniversary of this landmark project, this new publication presents the history of this ambitious enterprise and gives new impetus to its future. It includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.

    • Sales Rank: #938464 in Books
    • Published on: 2013-04-30
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.00" h x 8.00" w x 1.50" l, 2.65 pounds
    • Binding: Paperback
    • 448 pages

    Review
    Celebrating the 20th anniversary of Obrist's ongoing curatorial experiment, this anthology collects 250 "scores"―written instructions for the production of an artwork―from the artists invited to participate in the 50 iterations of the globally traveling "do it" exhibition to date. (Editors Art in America)

    Obrist recruited more than 60 artists (icluding Ai Weiwei and David Lynch) to write instructionsfor creating all manner of works, which have been interpreted by others and put on display alongside those directions. (Jonathan Aprea Time Out Magazine)

    About the Author
    Marina Abramovic pioneered the use of performance as a visual art form. The body has always been both her subject and medium; exploring the physical and mental limits of her being, she has withstood pain, exhaustion and danger in the quest for transformation. Her career began in Belgrade during the early 1970s, and her work has since appeared at The Museum of Modern Art, P.S.1 Contemporary Art Center and The New Museum in New York; the Hirshhorn Museum in Washington, D.C., the High Museum of Art in Atlanta, and many others. She has won a Bessie, as the New York Dance and Performance Award is called, and the Venice Biennale's Lion D'Or.

    John Baldessari was born in National City, California in 1931, and lives and works in Santa Monica, California. His work has been exhibited in museums such as The Solomon R. Guggenheim Foundation, New York, and in art galleries worldwide. He has also recently curated exhibitions at The Hirshhorn Museum and Sculpture Garden, in Washington D.C., The Museum of Modern Art, New York and The Museum of Contemporary Art in Los Angeles. He is represented by Marian Goodman Gallery in New York.

    Matthew Barney (b. 1967) has exhibited all over the world, with solo exhibitions at the San Francisco Museum of Modern Art and the Guggenheim Museum, among others. His work has been included in international group shows, including the Whitney Biennial and the Carnegie International. Barney was awarded the Europa 2000 prize at the 1993 Venice Biennale and was the first recipient of the Guggenheim Museum's Hugo Boss Prize in 1996.

    Christian Boltanski was born in Paris in 1944. His numerous solo exhibitions include shows at the Museum of Fine Arts, Boston; the Kemper Museum of Contemporary Art & Design, in Kansas City, Missouri, and the Contemporary Art Museum in Houston. He has shown four times at the Venice Biennale. Boltanski is represented in New York by the Marian Goodman Gallery.

    Born in 1911 in Paris, Louise Bourgeoiswas raised in a household that famously included her father's mistress, who was also Louise's nanny. She studied philosophy and mathematics before turning to art in 1934, and over the next few years studied at various art academies and in the atelier of Fernand Leger, among others. She moved to New York in 1938 with her new husband, American art historian Robert Goldwater. Her first U.S. showing was in a print exhibit at the Brooklyn Museum, and over the next 50 years, she exhibited consistently in solo and group shows. In 1982, Bourgeois was the subject of the first retrospective ever given to a woman artist at The Museum of Modern Art, New York, and her work has remained in the spotlight ever since.

    Liam Gillick was born in Aylesbury, Great Britain, in 1964 and studied at Hertfordshire College of Art, and Goldsmiths College, London. Often combining text and installation, Gillickis work frequently investigates economics and aesthetics in modern society. A finalist for the Turner Prize in 2002, his work has appeared at Documenta in 1997 and at The Museum of Modern Art, New York in 2003, as well as in numerous solo shows worldwide. He lives and works in London and New York.

    Mona Hatoum was born in Beirut, Lebanon, in 1952 and came to London in 1975. She was shortlisted for the Turner Prize in 1995 and has had solo exhibitions at the Centre Georges Pompidou in Paris, Castello di Rivoli in Turin, the Museum of Contemporary Art, Chicago, and Tate Britain, among others. She recently curated Artist's Choice at The Museum of Modern Art, New York.

    Joan Jonas was born in 1936 in New York, where she currently lives and works. She received an M.F.A. in Sculpture from Columbia University, New York, in 1965. Her first performance retrospective was at the Stedelijk van Abbemuseum, Eindhoven (1979) and her first US retrospective was at the University Art Museum, Berkeley (1980) (Van Abbe Museum, Eindhoven, 1981). She has exhibited at The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; The Institute of the Contemporary Art, Boston, MA; The Kitchen, New York, and Pat Hearn Gallery, New York. Jonas has had major retrospectives at the Stedelijk Museum, Amsterdam (1994), and Galerie der Stadt, Stuttgart, Germany (2000), and was represented in Documenta 11, Kassel, Germany (2002).

    Mike Kelley, one of the most controversial, prolific and influential figures in contemporary art, was born in 1954 in Detroit, Michigan, and earned a Bachelors degree from the University of Michigan and a Masters from California Institute of the Arts. His work, often wickedly humorous and drawing on both high art and the vernacular with distinctively American iconography, ranges across media such as drawing, painting, sculpture, music, performance, writing and video projects, the last often in collaboration with artists such as Paul McCarthy, Raymond Pettibon and Tony Oursler. In 1993, The Whitney Museum of American Art held a major retrospective of his work. He lives in Los Angeles, and is a member of the graduate faculty at Art Center College of Design, Pasadena.

    Alison Knowles was born in New York City in 1933, and graduated from the Pratt Institue of Fine Art in Brooklyn. In the 60s she worked for Special Editions Press doing silkscreens and was associated with the Fluxus movement. Her installtion The Big Book was realized in New York and toured Canada and Europe before finally collapsing in California in the mid-seventies. Her second walk-in book, The Book of Bean opened in Venice in 1983. Her computer instigated dwelling The House of Dust is on permanent display in California. Her other titles include Bread and Water, Spoken Texts, and A Bean Concordan.

    Hans-Ulrich Obrist was born in 1968 in Zurich, Switzerland. In 1993, he founded the Museum Robert Walser and began to run the Migrateurs program at the Musee d'Art Moderne de la Ville de Paris where he served as a Curator for contemporary art. He presently serves as the Co-Director of Exhibitions and Programs and Director of International Projects at the Serpentine Gallery, London.

    Most helpful customer reviews

    23 of 25 people found the following review helpful.
    an unusual, clever, and fun angle on contemporary art
    By A Customer
    The editor/curators of this book got 50 contemporary artists to each write down instructions for a do-it-yourself art project, for the reader to try. Each is a small revelation of the artist, and a thought-provoker in itself. It's intelligent and fun -- a very clever expression and extension of contemporary art. It's just the thing for anyone who wishes they were artistic: you read an entry, and have the curious sensation that, not only is the project something you could do, but it would be an actual participation in the contemporary art world, pre-endorsed by prominent artists and curators.

    3 of 3 people found the following review helpful.
    Excellent ideas for creating art using a variety of media!
    By Estevan Gorro
    This is a great book that contains a wide variety of ideas for creating art--using a wide variety of media and digital tools. The 'Do It!' project began in the early 1990's and continuues until today. The concept behind the book is to allow a wide range of artists to provide 1-2 page instructions on how to create an art work that could be created by anyone and displayed at a 'Do It!' exhibition. The book is full of a lot of interesting and fun ideas for creating art works.

    2 of 2 people found the following review helpful.
    Fantastic!
    By Janine D
    I absolutely loved this book! It's gorgeous and super engaging. This is a book of instructions for art, rather than pictures of art -- so could you take a hands-on approach and try to `do it yourself'. The instructions have been contributed by a really exciting range of artists, and each is kind of a fun insight into their work and mindset. It's an experience rather than just a read -- If you are interested in contemporary art and want to rediscover it in a new light, I would definitely recommend picking up "Do It!"

    See all 8 customer reviews...

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