Minggu, 28 Desember 2014

[D374.Ebook] Free PDF The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

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The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

In The Feminine Matrix of Sex and Gender in Classical Athens, Kate Gilhuly explores the relationship between the prostitute, the wife, and the ritual performer in Athenian literature. She suggests that these three roles formed a symbolic continuum that served as an alternative to a binary conception of gender in classical Athens and provided a framework for assessing both masculine and feminine civic behavior. Grounded in close readings of four texts, "Against Neaira," Plato's Symposium, Xenophon's Symposium, and Aristophanes' Lysistrata, this book draws upon observations from gender studies and the history of sexuality in ancient Greece to illuminate the relevance of these representations of women to civic behavior, pederasty, philosophy, and politics. In these original readings, Gilhuly casts a new light on the complexity of the classical Athenian sex/gender system, demonstrating how various and even opposing strategies worked together to articulate different facets of the Athenian subject.

  • Sales Rank: #5701222 in Books
  • Published on: 2008-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .63" w x 5.98" l, .90 pounds
  • Binding: Hardcover
  • 222 pages

Review
"Gilhuly has written an admirable study of the interplay between the three female roles of prostitute, the wife, and the ritual agent in late fifth and fourth-century Athenian literature." --BMCR

About the Author
Kate Gilhuly is assistant professor in the department of classical studies at Wellesley College.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Must Read
By Edson Neto
If you are interested in the topics of gender and sexuality this is a must read book, with a very inovative aproach about the way athenians constructed and manipulated their gender dinamics.

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Sabtu, 27 Desember 2014

[X950.Ebook] Get Free Ebook The Misunderstood Loner: An Explanation of Schizoid Personality Disorder: Transcend Mediocrity, Book 16, by J.B. Snow

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The Misunderstood Loner: An Explanation of Schizoid Personality Disorder: Transcend Mediocrity, Book 16, by J.B. Snow

Excerpt:

You may have seen them. Maybe you are one of them. The teens who prefer to be alone and who avoid making social connections with their peers. The adult who stays in his basement playing videogames or browsing the Internet. The little boy who chases frogs at the pond by himself instead of finding some friends to go fishing with. Maybe it is the woman who surrounds herself with cats and lives deep in the country, rarely venturing into town - even for necessities. Are these people shy, or do they have something that is much more pervasive?

Humans, by nature, generally want to be social with others. We thrive on conversation, interaction, and learning from each other. We were designed to be able to pass along our knowledge to the generations that come after us, and we strive to educate ourselves in order to be more sufficient and able to provide for our families or become productive members of society.

There is a subset of people who are different from the normal population. Their brains are wired a bit differently, or they went through experiences in their lives that contributed to their introversion, social avoidance, and shyness. They may have been sensitive children who were neglected or abused, never encouraged to learn about the world around them. Their feelings may have been invalidated while they were young, so they learned to keep their emotions inside instead of sharing them with others around them. They learned to be self-sufficient instead of relying on others and on society for their needs.

Some of these shy individuals who we classify as loners may be afflicted with a disorder called schizoid personality disorder...."

From four-time best-selling author J. B. Snow.

  • Sales Rank: #109288 in Audible
  • Published on: 2015-07-02
  • Format: Unabridged
  • Original language: English
  • Running time: 30 minutes

Most helpful customer reviews

3 of 3 people found the following review helpful.
You're done before you even knew you'd started
By Amazon Customer
This is good as far as it goes, but 17 pages for $3 isn't going very far. And really, it's more like 12 pages, because the last third is a "preview" of another book on obsessive-compulsive personality disorder. If this were $0.99, I'd probably give it two or three stars.

0 of 0 people found the following review helpful.
The content itself is well written, but I can't ...
By Joseph S. Ruchalski
The content itself is well written, but I can't help but feel duped. The second half of this pamphlet goes into something unrelated to the title.

0 of 2 people found the following review helpful.
Great condensation
By AFONSO ANDRADE
I enjoyed this book because in a few pages it gives you the gist of what it is a person with spd, how does he or she function in family or society and where does it com from. As a starting point, it's perfect. Afonso

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Jumat, 26 Desember 2014

[J472.Ebook] Free Ebook The Norton Anthology of English Literature (Single-Volume 8th Edition), by M. H. Abrams

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The Norton Anthology of English Literature (Single-Volume 8th Edition), by M. H. Abrams

Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published.

Firmly grounded by the hallmark strengths of all Norton Anthologies―thorough and helpful introductory matter, judicious annotation, complete texts wherever possible―The Norton Anthology of English Literature, The Major Authors has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

  • Sales Rank: #32353 in Books
  • Brand: W.W. Norton & Co
  • Published on: 2006-03-15
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 2.50" w x 6.00" l, 4.45 pounds
  • Binding: Paperback
  • 3024 pages

About the Author
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

Carol T. Christ (Ph.D. Yale) is Professor Emeritus of English at the University of California, Berkeley, and President of Smith College. She is the author of The Finer Optic: The Aesthetic of Particularity and Victorian Poetry and Victorian and Modern Poetics and editor of the Norton Critical Edition of The Mill on the Floss and, with John Jordan, Victorian Literature and the Victorian Visual Imagination. She is the recipient of an NEH Fellowship and a member of the American Academy of Arts and Sciences.

Alfred David (Ph.D. Harvard) is Professor of English Emeritus at Indiana University. He is the author of The Strumpet Muse: Art and Morals in Chaucer’s Poetry, and editor of the "Romaunt of the Rose" in The Riverside Chaucer and, with George B. Pace, "Chaucer’s Minor Poems I" in The Variorum Chaucer. He is the recipient of a Sheldon Travelling Fellowship and Guggenheim and Fulbright Research fellowships and past president of the New Chaucer Society.

Barbara K. Lewalski (Ph.D. Chicago) is William R. Kenan Professor of English and of History and Literature at Harvard University. She is the recipient of the MLA’s James Russell Lowell Prize for Protestant Poetics and the Seventeenth-Century Religious Lyric and the Explicator Prize for Donne’s Anniversaries and the Poetry of Praise. Her other books include Paradise Lost and the Rhetoric of Literary Forms, Writing Women in Jacobean England, Milton: A Critical Biography, and The Polemics and Poems of Rachel Speght (editor). Lewalski is the recipient of Guggenheim and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences and Honored Scholar of the Milton Society.

Lawrence Lipking (Ph.D. Cornell) is Professor of English and Chester D. Tripp Professor of Humanities at Northwestern University. He received the Phi Beta Kappa Christian Gauss Prize for The Life of the Poet. He is also the author of The Ordering of the Arts in Eighteenth-Century England; Abandoned Women and Poetic Tradition; and Samuel Johnson: The Life of an Author and editor of High Romantic Argument. Lipking is the recipient of Guggenheim, ACLS, Newberry Library, Wilson International Center for Scholars, and NEH Senior fellowships and is a fellow of the American Academy of Arts and Sciences.

George M. Logan (Ph.D. Harvard) is a Senior Fellow of Massey College in the University of Toronto and the James Cappon Professor of English Emeritus at Queen’s University, Canada, where he was head of the English Department for nine years and an award-winning teacher. He is the author of The Meaning of More’s Utopia and principal editor of the Cambridge edition of Utopia (Latin and English), editor of the Norton Critical Edition of Utopia (3rd edition), More’s History of King Richard the Third, and The Cambridge Companion to Thomas More, and coeditor, with Gordon Teskey, of Unfolded Tales: Essays on Renaissance Romance; he has also written a history of the Indiana University School of Music.

Deidre Shauna Lynch is Chancellor Jackman Professor and Associate Professor of English at the University of Toronto. She is the author of The Economy of Character, which was awarded the MLA’s Prize for a First Book, and editor of Janeites: Austen’s Disciples and Devotees and, with William B. Warner, Cultural Institutions of the Novel. She is also an editor of The Norton Anthology of English Literature. She is the recipient of fellowships from the National Humanities Center and the John Simon Guggenheim Memorial Foundation, of the State University of New York Chancellor’s Award for Excellence in Teaching, and of the Northeast Association of Graduate Schools’ Graduate Faculty Teaching Award.

Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater.

James Noggle (Ph.D. UC Berkeley) is Professor of English at Wellesley College. He is author of The Skeptical Sublime: Aesthetic Ideology in Pope and the Tory Satirists; his second book, The Temporality of Taste in Eighteenth-Century British Writing, is forthcoming from Oxford. He is the recipient of fellowships from the American Council of Learned Societies and the American Philosophical Society.

Jahan Ramazani (Ph.D. Yale and M.Phil. Oxford) is Edgar F. Shannon Professor of English at the University of Virginia, previously the Mayo NEH Distinguished Teaching Professor. He is the author of Transnational Poetics, which won the Harry Levin Prize of the American Comparative Literature Association, and of Poetry of Mourning: The Modern Elegy from Hardy to Heaney, which was a finalist for the National Book Critics Circle Award. He is also the author of The Hybrid Muse: Postcolonial Poetry in English and Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime. He is coeditor of The Norton Anthology of Modern and Contemporary Poetry. Ramazani is the recipient of a Guggenheim Fellowship, a National Endowment for the Humanities Fellowship, a Rhodes Scholarship, and the William Riley Parker Prize of the Modern Language Association.

Catherine Robson (Ph.D. UC Berkeley) is Associate Professor of English at New York University and a faculty member of the Dickens Project. She is the author of Men in Wonderland: The Lost Girlhood of the Victorian Gentleman and Heart Beats: Everyday Life and the Memorized Poem (forthcoming), and has received fellowships from the NEH, the Guggenheim Foundation, the University of California, and the Wissenschaftskolleg zu Berlin.

James Simpson (Ph.D. Cambridge) is Douglas P. and Katherine B. Loker Professor of English at Harvard University and former Chair of Medieval and Renaissance English at the University of Cambridge. An Honorary Fellow of the Australian Academy of the Humanities, he is the author of Piers Plowman: An Introduction to the B-Text (1990); Sciences and the Self in Medieval Poetry (1995); Reform and Cultural Revolution, 1350–1547; Volume 2 of The Oxford English Literary History (2002); Burning to Read: English Fundamentalism and Its Reformation Opponents (2007); and Under the Hammer: Iconoclasm in the Anglo-American Tradition (2010).

Jon Stallworthy (M.A. and B.Litt. Oxford) is Senior Research Fellow at Wolfson College of Oxford University, where he is an Emeritus Professor of English Literature. He is also former John Wendell Anderson Professor at Cornell, where he taught after a career at Oxford University Press. His biography of Wilfred Owen won the Duff Cooper Memorial Prize, the W. H. Smith Literary Award, and the E. M. Forster Award of the American Academy of Arts and Letters. His biography of Louis MacNeice won the Southern Arts Literary Prize. He is also the author of Rounding the Horn: Collected Poems and Singing School: The Making of a Poet, and editor of the definitive edition of Wilfred Owen’s poetry, The Complete Poems and Fragments; The Penguin Book of Love Poetry; The Oxford Book of War Poetry; and coeditor of The Norton Anthology of Poetry. Stallworthy has received a Guggenheim Fellowship and is a Fellow of the British Academy and the Royal Society of Literature.

Jack Stillinger (Ph.D. Harvard) is Center for Advanced Study Professor of English Emeritus at the University of Illinois. He is the author of The Hoodwinking of Madeline and Other Essays on Keats’s Poems, The Texts of Keats’s Poems, the standard edition of The Poems of John Keats; Multiple Authorship and the Myth of Solitary Genius; Coleridge and Textual Instability; and Reading "The Eve of St. Agnes." He is the recipient of Guggenheim and Woodrow Wilson fellowships and is a fellow of the American Academy of Arts and Sciences.

M. H. Abrams (1912―2015) was Class of 1916 Professor of English, Emeritus at Cornell University. He received the Phi Beta Kappa Christian Gauss Prize for The Mirror and the Lamp and the MLA's James Russell Lowell Prize for Natural Supernaturalism. He is also the author of The Milk of Paradise, A Glossary of Literary Terms, The Correspondent Breeze, and Doing Things with Texts. He is the recipient of Guggenheim, Ford Foundation, and Rockefeller Postwar fellowships, the Award in Humanistic Studies from the Academy of Arts and Sciences (1984), the Distinguished Scholar Award by the Keats-Shelley Society (1987), and the Award for Literature by the American Academy of Arts and Letters (1990). In 1999 The Mirror and the Lamp was ranked twenty-fifth among the Modern Library's "100 best nonfiction books written in English during the twentieth century."

Most helpful customer reviews

57 of 58 people found the following review helpful.
It's a keeper!
By Scarletpen
The 8th edition of the Norton Anthology of English Literature is edited by Greenblatt and contains "the major authors" only. This thorough overview of the genre ranges from 15 c. Anglo Saxon literature (including Seamus Heaney's translation of "Beowulf") to some contemporary British literature (including work by JM Coetzee and Salman Rushdie). The selections are good ones and do not seem to suffer from a single editorial point of view or tone (unlike the Penguin survey edition of modern literature that is, frankly, a complete downer). This Norton edition includes classics such as John Donne's "Meditation 17", Swift's "A Modest Proposal", Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde", an excerpt from Mary Wollstonecraft's "A Vindication on the Rights of Women", "Virginia Woolf's "A Room of One's Own" and so on (it might be a bit thin on the ladies but what is included is the good stuff). As an English teacher and probable reference freak, I am pleased with it.

16 of 16 people found the following review helpful.
Incredible Amount of Excellent Literature All in One Book!
By Fr. Charles Erlandson
While there have been changes made to the Norton Anthology of English Literature, Volume 1 (or A), there's no mistaking that in its genre, this is a masterpiece. It's easy to quibble with which selections make it in and which versions are used, etc. But this is an incredibly rich resource of early English literature.

This is one of the books that helped foster my love of literature, and that of many others. It is a portal to any number of authors you wish to read in more detail. It's hard not to love a book that gives you introductions to the following authors and works - and many, many more!

Bede and Beowulf
The Anglo-Saxon Chronicle
Sir Gawain and the Green Knight
Chaucer's Canterbury Tales
Julian of Norwich
Thomas Mallory and the Arthurian Legends
Sir Thomas More and Utopia
William Tyndale, John Calvin, John Foxe
The Book of Common Prayer
Queen Elizabeth
Spencer's The Fairie Queene
Sir Walter Raleigh
Many of Shakespeare's sonnets and 2 of his plays
John Donne
Francis Bacon
George Herbert
John Dryden
Jonathan Swift
Alexander Pope
And John Bunyan

The Norton Anthology series does exactly what it should: introduce its readers to a smorgasbord of the best of English literature. Don't let the size or price daunt you. The size is worth it for the breadth and depth of content. As for price, there are many inexpensive used editions around, going back to many earlier editions.

This book should be on every bookshelf!

14 of 16 people found the following review helpful.
Everything in the palm of your hand. Or, hands...
By Audrey
This edition of the Norton Anthology should be required for any literate person to own and at least leaf through, if not completely consume. It's a terrific collection of the bests of English literature, with very insightful footnotes on each piece. A good purchase, and was a good choice for my professor, who assigned it as the text for an Eng. Lit course. The only problem was the size - this tome is a monster! Definitely not something to carry to the beach, or even on a plane.

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Senin, 22 Desember 2014

[R644.Ebook] Free Ebook Birth of the Alliance (The Aliomenti Saga - Book 4), by Alex Albrinck

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Birth of the Alliance (The Aliomenti Saga - Book 4), by Alex Albrinck

New to the series? Start with Book 1 (A Question of Will - amazon.com/dp/B009F19JFM) or the box set (The Aliomenti Saga Box Set Books 1-3  - amazon.com/dp/B00GQQPU4I).---Freed from the constraints of the Aliomenti, Will Stark creates a new group, an Alliance of men and women committed to using their Energy skills and technological advances to improve the lives of all.

It's an act of rebellion that won't go unnoticed--or unpunished--by the Aliomenti Elites.

Treachery, a desperate search for the resolution of his most vexing personal concern, and an incredible network of underground facilities drive Will to his own desperate decisions. He'll figure out how to bring new life into the world... but the asking price is steep.

And permanent.

  • Sales Rank: #4020580 in Books
  • Published on: 2013-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .82" w x 6.00" l, 1.06 pounds
  • Binding: Paperback
  • 328 pages

From the Author
Reading order:A Question of Will (amazon.com/dp/B009F19JFM)*Preserving Hope (amazon.com/dp/B00AOH6FFS)*Ascent of the Aliomenti (amazon.com/dp/B00C7DB33Q)*Birth of the Alliance (amazon.com/dp/B00EECLODW)Preserving Will (amazon.com/dp/B00GWXC34U)Stark Cataclysm (amazon.com/dp/B00JUG8DCC)
*Part of The Aliomenti Saga Box Set (amazon.com/dp/B00GQQPU4I).
For new release announcements and access to the free prequel and short stories, sign up for my mailing list at: alexalbrinck.com/Subscribe

About the Author
Alex Albrinck is a lifelong Ohio resident, where he lives with his wife and three children. When he's not trying to be in three places at once with his active youngsters, he's following local professional and collegiate sports teams, or possibly unscrambling a Rubik's Cube. In lieu of sleep, he writes fiction. You can learn when his next work is available at alexalbrinck.com/Subscribe.

His debut novel, A Question of Will, explores themes of technological advancement, human potential (good and bad), and the love bonding a family together. The sequels follow Will Stark, his friends, and his family, in an epic quest full of advanced technology and Energy skills.

He is currently working on several projects, including the next Aliomenti Saga novel.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Wonderful, Frustrating Read
By J.C. Prins
On the one hand, the story is absolutely wonderful - evocative, compelling, and mesmerizing. The premise is great, although I have some questions about the long-range effects of that premise. The characters are well-developed, even the minor ones. The basic writing style is enjoyable. Following the adventures of Will, the main protagonist, has been an adventure for me as well coupled with significant lack of sleep as I am seemingly forced to keep finding out what happens next. Because of the excellence of the story, I will likely get the next book in the series.

On the other hand, the editing sucks. It is not a matter of typos. There are few of those. However, there is every manner of other types of editing errors. Many times it seems like the author dictated the book, but never read it to make sure the words came out right. So "clouds" is used instead of "crowds" or "exaggerating" instead of "exacerbating." It becomes almost a game to identify the correct word. Many sentences seem to have too few or too many words such that the sentences are indecipherable. Then there are the factual errors. Just one example - neither Gen. Grant nor Gen. Lee were at the battle of Gettysburg. The author seems compelled to contract any word structure with "had" or "could" so that it is sometimes hard to tell which is meant. Worst of all, for me, the author frequently writes as if he hasn't read his own work. There are constant errors of fact regarding things that have happened, which is frustrating and aggravating. There are annoying summaries of things that happened just chapters earlier. All of these editing errors cause the reader to stop her headlong progression to go, "What? Wait!" It is almost, almost enough to make me want to stop, but I still need to read the next chapter.

This book and this series could be one of the greats, if a final thorough edit had been done. As it is, the substantive editing errors hold this book (and all the others) back. It was a hard decision whether to give three or four stars. I chose four stars, because I want to recommend the series with the caveat that some teeth gnashing will occur.

3 of 3 people found the following review helpful.
Too bad the science is bogus
By Casey Elliott
I have enjoyed this series to this point, but I don't think I will finish it.
When an author takes liberties with basic science in a science fiction story, especially when the error does not help the story, I get impatient.
The first error that caught my attention was the "below sea level" lake on an island southwest of England. Really. What causes it to drain?
In this book, our hero teleported into a cave that in a vacuum. Really?! Give me a break. And how does this help the story?
These types of errors detract from an otherwise pleasant time loop story with interesting characters and a decent love story.
I won't finish this series and I doubt I will read any more from this author. I'm sorry I wasted my time. Sorry Alex.

0 of 0 people found the following review helpful.
not like the Aliomenti which is self centered all about Me ...
By Amazon Customer
Will keeps his journey going in the 4th book "Birth of the Alliance". There are issues for Will but he overcomes them. He makes the Alliance to be what it should be helping people (humans) out, not like the Aliomenti which is self centered all about Me (Arthur). Will takes the Cavern and makes it a home for everyone of the Alliance. The Alliance grows. With Wills knowledge he invites things before their time which helps the Alliance. There are problems along the way but are things worked out for the good? What happens to Will.

To find out you must read the first three in the Aliomenti Saga. This is a must read book. Alex you are a great authur can't wait to read the rest of the saga and move on to other books you have written. Keep up the good work.

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Minggu, 21 Desember 2014

[P239.Ebook] Download Ebook Boomerang: Travels in the New Third World, by Michael Lewis

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Boomerang: Travels in the New Third World, by Michael Lewis

“Lewis shows again why he is the leading journalist of his generation.”―Kyle Smith, Forbes

The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it was temptation, offering entire societies the chance to reveal aspects of their characters they could not normally afford to indulge.

Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to turn their country into a pinata stuffed with cash and allow as many citizens as possible to take a whack at it. The Germans wanted to be even more German; the Irish wanted to stop being Irish.

Michael Lewis's investigation of bubbles beyond our shores is so brilliantly, sadly hilarious that it leads the American reader to a comfortable complacency: oh, those foolish foreigners. But when he turns a merciless eye on California and Washington, DC, we see that the narrative is a trap baited with humor, and we understand the reckoning that awaits the greatest and greediest of debtor nations.

  • Sales Rank: #18116 in Books
  • Published on: 2012-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .60" w x 5.60" l, .43 pounds
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

830 of 863 people found the following review helpful.
The Financial Crisis Moves From the Private Sector to the Public Sector.
By AdamSmythe
I admit to being a fan of Michael Lewis' books, so take that into consideration as you read this review. Lewis earned a masters degree in economics from the London School of Economics and went to work as a bond trader for Salomon Brothers before its scandals. His education and investment experience qualified him to write "Liar's Poker" in 1989, though I have no idea what qualified him to write such an entertaining and lucid description of the Wall Street culture of that time. Subsequently, I have read Lewis' "Moneyball" (in 2003), "The Blind Side" (in 2006), and "The Big Short" (in 2010). All of these books are very easy to read and hard to put down. They tell well-researched, interesting stories. In the case of "The Big Short" it helps to illuminate the origins of the financial crisis that broke starting in 2007.

In Lewis' latest book, "Boomerang," the subtitle is, "Travels in the New Third World." Lewis is not referring to Asian or Latin American countries here. He's talking about European countries that drank the elixir of seemingly endless and cheap credit prior to the bursting of the recent financial bubble. To say that cheap credit transformed the economies in Greece, Ireland and Iceland, for example, is to understate the impact of the financial bubble on these countries. Talk about a timely book--I am writing this during September 2011, and yet this book refers to the recent downgrade of U.S. debt, which occured only last month, beginning on page 171.

As in many of Lewis' books, there's a new person who you probably never heard of before to meet. In "Moneyball" it was Billy Beane, the general manager of the Oakland Athletics baseball team, and in "The Big Short" it was Steve Eisman, Michael Burry and others. This time it's Kyle Bass, the manager of a Dallas-based hedge fund, who Lewis makes sound both very insightful and eccentric. What would you call a man who owns a 40,000 square foot ranch located on thousands of acres in the middle of nowhere with its own water supply and an arsenal of automatic weapons? Or someone who would recommend "guns and gold" for his mother? Anyway, the gist of Bass' financial analysis is that mountains of shaky debt (arising from borrowings during 2002 - 2006 by people who couldn't repay) was essentially transferred from private institutions (like banks, etc.) to various governments, to the point that eventually markets would question the credibility of these governments. Put differently, the public debt of certain countries wasn't just the official public debt, but also that which came from supporting various private institutions.

Bass, Lewis tells us, visited Harvard professor Ken Rogoff (coauthor of "This Time is Different: Eight Centuries of Financial Folly," which I recommend), and found even Rogoff to be surprised by the magnitude of the public debt problems. Just as Bass bought credit default swaps on subprime mortgages prior to the financial crisis, Bass later bought credit default swaps on Greek government bonds, because he was convinced that Greece would be one of the first countries to experience real problems. Bass expected the swaps he purchased for 1,100 per year per million to eventually be worth 700,000.

Anyway, Lewis interviewed Bass years ago in preparation for writing "The Big Short," but he "left Kyle Bass on the cutting room floor." Lewis returned to Dallas two and a half years later, this time to find that Bass was betting most heavily against Japan and France at the time. Bass also had literally bought 20 million U.S. nickels (don't ask how), because he said the value of the metals in each nickel was worth 6.8 cents. The majority of this book is devoted to Lewis' travels in Iceland, Greece, Ireland and Germany, and to his discoveries during his travels. To get a flavor for the book and Lewis' writing style, here are some of Lewis' passages, in his own words:

Iceland: "Iceland instantly became the only nation on earth that Americans could point to and say, `Well, at least we didn't do that!'"

Greece: "As it turned out, what the Greeks wanted to do, once the lights went out and they were alone in the dark with a pile of borrowed money, was to turn their government into a pinata stuffed with fantastic sums and give as many citizens as possible a whack at it."

Ireland: "But while the Icelandic male used foreign money to conquer foreign places--trophy companies in Britain, chunks of Scandinavia--the Irish male used foreign money to conquer Ireland. Left alone in a dark room with a pile of money, the Irish decided what they really wanted to do was buy Ireland. From each other."

Germany: "Either Germans must agree to integrate Europe fiscally, so that Germany and Greece bear the same relationship to each other as, say, Indiana and Mississippi (the tax dollars of ordinary Germans would go into a common coffer and be used to pay for the lifestyles of ordinary Greeks) or the Greeks (and probably, eventually, every non-German) must introduce `structural reforms,' a euphemism for magically and radically transforming themselves into a people as efficient and productive as the Germans."

Quoting Lewis quote UCLA neuroscientist Peter Whybrow in the book's last chapter (on California's financial problems, not European countries), Lewis writes, "'Human beings are wandering around with brains that are fabulously limited. We've got the core of the average lizard.' Wrapped around this reptilian core is a mammalian layer (associated with maternal concern and social interaction), and around that is wrapped a third layer, which enables feats of memory and the capacity for abstract thought. 'The only problem is our passions are still driven by the lizard core.' Even a person on a diet who sensibly avoids coming face-to-face with a piece of chocolate cake will find it hard to control himself if the chocolate cake somehow finds him. Every pastry chef in America understands this, and now nueroscience does, too. 'In that moment the value of eating the chocolate cake exceeds the value of the diet. We cannot think down the road when we are faced with the chocolate cake.' ... Everywhere you turn you see Americans sacrifice their long-term interests for a short-term reward."

Love him or not, Michael Lewis is a talented writer, and I truly believe that most readers will have a hard time putting this book down. If you have enjoyed his earlier books, the decision to purchase this one seems to be a no-brainer. If you haven't read one of his earlier books, this one is worthy of your consideration.

467 of 509 people found the following review helpful.
Great Magazine Articles
By Brian Balkus
The entire book with the exception of a short introduction is available for free online. I knew the book was based off articles in Vanity Fair, but I did not realize that there was no new content. I just wanted to warn anyone that subscribes to VF that they are paying for the content twice if they purchase this book.If you feel like saving money, you can find the articles that comprise the book on VF's website.

Update: Since I wrote this review, VF has placed the Iceland article behind their pay wall. You can still find it for free by searching for "Vanity Fair Iceland." All other articles can be found for free on VF's website; just search for "Michael Lewis Vanity Fair" and then click on the index of his articles.

30 of 31 people found the following review helpful.
A flip flight through devastated economies.
By Joseph Psotka
Instead of reading the articles in Vanity Fair, I bought the book and found it a completely comfortable ride through the the countryside of some unbelievable places. You don't get any detailed view of things, sort of like having lightning flashes as you ride along, but the scenes are startling and make you reflect in ways that I would have wanted Lewis to do. Instead you just see his grotesque mask - like smile reflected in the windows. His analyses are fun, but misleadingly shallow. These three countries' slide into bankruptcy - Iceland, Ireland, Greekland - are amazing stories that seem completely unreal, even science fiction at times; but Lewis provides no real understanding for what went on and what will happen in the future. AS he points out, Germany seems the key to which direction the bailout of Greece will take, and whether or not the international economy will take another post-Lehman-like dive; but instead of giving us the real dirt on Germany's intentions, he diverts us with entertaining but highly irrelevant side trip into their fascination with feces and coprophilia. After all, what really distinguishes the fleissig hard working Germans from the Greek and Irish seems to have more to do with their determined trust and cooperation with each other, more like the other scandinavians, than with prurient coprophilia. How did they become so trusting - was it the utter devastation of WWII and the enormous hangover of guilt from the Nazi era? What taught them to be so rulebound that they demand ubiquitous order in all things?Was it the utter devastation and disorder of the black market?
The book raises many such psychological national mysteries but offers few plausible suggestions for any resolution: why do the Irish pay off their international debt in full when they could easily have defaulted with many fewer downside consequences? Why in heavens' name would Icelandic fisherman think they are good investment speculators? It seems so improbable! Lewis has a good time in a monastery and I guess it sheds some light on the cavalier attitude Greeks have to taxes and government corruption; but the central story is the Greek government as a corrupt enterprise, lying to the EU about its debt and intentions; and conniving with wall street firms to hide the debt (at great additional cost) from the EU. Again, Lewis' excursion into a greek monastery hides the story in fluff and display lighting.
So, kudos to Lewis for making these bizarre state actions publicly accessible; but a few humbugs too, for such shallow, patronizing and seductive analyses

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Sabtu, 13 Desember 2014

[Z422.Ebook] Get Free Ebook Isaac Asimov's Treasury of Humor, by Isaac Asimov

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Isaac Asimov's Treasury of Humor, by Isaac Asimov

640 jokes, anecdotes, and limericks, complete with notes on how to tell them, from America's leading renaissance man.

  • Sales Rank: #285702 in Books
  • Published on: 1991-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.13" w x 5.25" l, 1.10 pounds
  • Binding: Paperback
  • 448 pages

About the Author
To list Isaac Asimov's honors, as to list his books, would be excessive. Let it simply be noted that Isaac Asimov was the most famous, most honored, most widely read, and most beloved science fiction author of all time. In his five decades as an author, he wrote more than four hundred books, won every award his readers and colleagues could contrive to give him, and provided pleasure and insight to millions. He died in 1992, still at work.

Most helpful customer reviews

16 of 16 people found the following review helpful.
Thinking Man's Collection of Jokes
By A Customer
I found this book when I was on a business trip and needed some entertainment in the evening. Most of the jokes and anecdotes lead to a good chuckle and some are hilarious. What appeals to me most about this book is the commentary that Asimov supplies in the way of background to each piece of humor.

13 of 13 people found the following review helpful.
Superb collection!
By xchar@worldnet.att.net
The ONLY humor compilation I've ever seen in which I laughed at almost all of the jokes. Asimov's commentaries are equally entertaining. Much better than the sequel, "Asimov Laughs Again."

14 of 15 people found the following review helpful.
THE book on how to tell jokes
By Charles Peterka
This not only shows you the great jokes of all time,
but also HOW to tell the jokes, with examples and samples.
Isaac Asimov does it again.
For everyone who loves telling jokes, this is THE book to get.

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Senin, 08 Desember 2014

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Alchemy, by E. J. (Eric John) Holmyard

  • Sales Rank: #7167356 in Books
  • Published on: 1968
  • Binding: Mass Market Paperback

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23 of 24 people found the following review helpful.
Best Introduction
By Heavenly Hermes
This is perhaps the best ever introduction to the history of alchemy. Holmyard was a professional researcher in chemistry and few writers in English have had anything approaching his familiarity and depth of knowledge about the subject of experimental alchemy. His knowledge of the contributions of Muslim civilization to alchemy are the best to be found in any history of alchemy. This is one one of the book's main pluses, in contrast to the other reviewer who does not seem to appreciate the overwhelming importance of the Muslim contribution. Indeed, as an _experimental_ science, alchemy/chemistry proper was virtually invented by Muslim civilization.

Today the scientific aspects of alchemy are frequently ignored/deemphasized in favor of speculative psychology and other trends, but it must not be forgotten that alchemy was/is fundamentally a scientific enterprise, although its notion of ``science'' presumes a very holistic cosmology and phenomenology of macrocosm and microcosm; and of matter, soul, and spirit. In any case, even an understanding of inner/esoteric alchemy cannot be divorced from its outer/exoteric aspects. For those more interested in the inner/esoteric side of alchemy, this text is still quite essential, for although Holmyard focuses on the exoteric side, he also also provides the appropriate links to the esoteric side of alchemy as well. One simply cannot properly appreciate authentic esoteric alchemy without a grounding in its exoteric foundations.

Titus Burckhardt's ``Alchemy'' provides an good companion to Holmyard. Although Burckhardt is focused on inner alchemy, Holmyard provides much of the historical background needed to get the most out of Burckhardt's essay which is, unfortunately, quite vague and abstruse in too many places. Together, these two texts are indispensable for anyone serious about the meaning and history of alchemy.

27 of 30 people found the following review helpful.
Ian Myles Slater on: The Real Alchemy
By Ian M. Slater
For just about half a century, E.J. Holmyard's concisely-titled "Alchemy" has served as a literate, well-informed, and charming introduction to the history and literature of Western alchemy. I first read it while in High School, and can say that, while it may take a little dedication to get through, it should be worth the trouble.

I would commend it to any serious beginner in the subject, including those teenagers and adults who first encountered the Philosopher's Stone and the French alchemist Nicholas Flamel by way of Harry Potter (see especially Holmyard's Chapter Eleven), or who have wondered about the quest for the Stone, and discussions of its precursors, like "The Red Water," as portrayed in the manga or anime versions of Hiromu Arakawa's "Full-Metal Alchemist" ("Hagane No Renkinjutsushi").

(For the Stone, the Lapis Philosophorum, see throughout; but Fullmetal fans should take an especially close look at Holmyard's Plate 24, showing Flamel's "diagram" -- which is also found on-line -- for the source of Edward Elric's serpentine insignia; although the Flamel legend says this is copied from a Jewish manuscript, the iconography is based on a Christian interpretation of Numbers 21:8-9; and see also 2 Kings 18:4.)

Unfortunately, such appearances in popular culture tend to reinforce the idea that alchemy was a form of magic, and neither series of stories, although entertaining, has much to do with real-world alchemy.

Yes, some ceremonial magicians were interested in alchemy, and vice-versa; so were many other literate people. Supposed spell-books available to the public (originally on the sly, more openly in historically dubious products of nineteenth-century printers) often offered the gullible "short-cuts" to successful transmutation.

The real basis of alchemy, however, was a mixture of practical, if misunderstood, experience and high philosophical ideas about Nature and Time, linked by enthusiastic notions about how matter could be manipulated to achieve human ends. A lot about Aristotle's Four Elements (Earth, Air, Fire, Water), the Four Qualities (Hot, Cold, Dry, Moist), the Ripening of Metals in the Womb of the Earth, and speculations about the wonderful properties of "True" Sulphur and Quicksilver (not the obviously-adulterated real-world stuff, which gave unsatisfactory results).

But no use of spirits (except as a term for the products of distillation, like "spirits of wine"), no magic circles (sorry, Edward and Alphonse Elric), and no incantations -- although chanting to keep track of elapsed time, in the absence of clocks with minute hands, apparently is an attested practice.

As Holmyard explains, Western Alchemy is a complex of ideas about the true nature of the physical world, and the possibility of manipulating its substance, which emerged in late classical antiquity, were adopted and refined in early Islam, and transferred to medieval Europe, where they underwent a series of transformations before splitting into occult speculation and proto-chemistry in the course of the seventeenth-century. Paracelsus, often remembered as a "typical" alchemist, was in his time a revolutionary innovator in the field. (His claim to know how to make an artificial human, a "homunculus," inspired Goethe, and is another contributor to "Fullmetal Alchemist" but is outside Holmyard's consideration, although the man himself gets a whole chapter.)

In the process, translations and supposed translations of Arabic alchemical writings deposited dozens of Arabic words, and words transmitted through Arabic, into Western languages, including English. (Holmyard gives a breakdown of major examples; also noting where that sixteenth-century maverick Paracelsus either made up Arabic-looking words, or radically changed the meanings of real ones, such as "alcohol," to suit himself.)

It seems that everyone is familiar with the idea that alchemy was about transmuting "base" (corruptible) metals into imperishable gold, and most people assume that the motive was economic. As in China, which had its own form of alchemy, however, the motivation was also medical. The same "perfecting" of nature, by finding a perfect balance of the "elements" and "qualities," that worked on metals would cure all diseases, including old age, and even death, so the Elixir of Life was sought with equal, if not greater zeal. This fit in nicely with the medical views of the age, which, despite a preference for "animal and vegetable" rather than "mineral" remedies, sought for a drinkable gold, or "aurum potabile," as a way for the body to absorb the metal's "incorruptibility." As Chaucer ironically noted of a greedy Physician, in the "General Prologue" to the "Canterbury Tales," "For gold in phisik [medicine] is a cordial [heart restorative] / Therefore he lovede gold in special" (lines 443-444).

So Cortez was not being *entirely* dishonest when he told the Aztecs he wanted all that yellow metal to cure a "sickness of the heart" to which Spaniards were especially subject. Experiments in this field don't seem to have been very successful, although elixir poisoning, a big problem in China, seems to have been avoided -- eating off gold dishes seems to have been thought sufficient, even by wealthy patrons (a practice endorsed for the Medici by the Florentine philosopher-astrologer, Marsilio Ficino). Which was probably just as well; a "drinkable" gold might have been mixed with mercury, a favorite of some alchemical schools; and, as pointed out on an episode of "House," bio-active gold salts may be effective against arthritis, but are potentially lethal.

Christian alchemists at times argued that Transmutation was surely possible, because it was a "proof" of Transubstantiation, concealed by God in the Material world to bear witness to the Spiritual -- a view rejected by unsympathetic or cautious theologians. In fact, in developments briefly covered by Holmyard, C.G. Jung tried to rewrite the history of Alchemy in the west around this equation, a project which forced him to minimize the Islamic role in the tradition; and to "discover" that explicit Greek and Arabic references to Jewish alchemists, and quotations from them, all referred to early Christians.

Alongside this specific application of a religious concept, the imagery of death and resurrection was also applied to the "mortification" and "revival" of substances in "higher" forms, and not just among Christians. This is one of the reasons it is sometimes difficult to figure out if a given text is really "chemical" or "spiritual," or even initiatory, or is even supposed to be read on more than one level.

Holmyard's account of this complex of developments was originally published under Penguin Book's old "Pelican Books" imprint for non-fiction -- a circumstance alluded to in the text in connection with the use of the word "pelican" for a type of still, which now may baffle readers. I have a copy of the 1968 reprinting, with an attractive cover (from the color original of one of the black-and-white plates), but the book was unavailable for years before being picked up by Dover in 1990.

This new trade paperback format is easier on the eyes, and some of the plates seem somewhat clearer in their larger size, but the book is otherwise unchanged, and contains no additional bibliographic or other information -- a pity, but not a reason to avoid the book. Slightly earlier but generally comparable volumes, notably John Read's "Prelude to Chemistry" (second edition, 1939) and F. Sherwood Taylor's "The Alchemists" (1949), seem to be long out of print. Too many of the more recent introductory books seem to be either New Age guides to the "spiritual meaning" of alchemy, reported at second or third hand, with too little foundation in the actual literature, or merely collections of alchemical art, extremely beautiful, but with commentary of limited value.

What I think of as the best of the later books accessible to non-specialists seem to be more narrowly focused. This may be an illusion, of course, as I find it hard to recapture the sense the discovery I experienced reading Holmyard, decades ago. Of these later books, my favorites are Mircea Eliades's "The Forge and the Crucible" (French original, 1956; translation 1962, last revised 1978), an amazing demonstration of the pervasiveness of proto-alchemical ideas about the world in a great range of cultures, and rather sympathetic to Jung's psychological (although not his historical) glosses, and Raphael Patai's "The Jewish Alchemists" (1994), which I found more informative in detail than convincing. (I have reviewed it separately.)

Holmyard included a short, interesting chapter on the very important topic of Chinese alchemy, which had its own traditions, and interacted in complex ways with those of the Islamic world as well. But the study of Chinese science (and its relations to Taoism and Buddhism) was in its infancy at the time of writing, and the brevity of Chapter 3 may be its saving grace. As a supplement and corrective to his account (and Eliade's), I would direct those curious about the chemical aspects of Chinese alchemy -- it also had mystical aspects, alongside a yoga-like theory and practice of "internal alchemy" -- to another Dover reprint, Ho Peng Yoke's "Li, Qi and Shu: An Introduction to Science and Civilization in China." It is rather heavy going, but popular books on the subject, although easier and more exciting, are of dubious reliability.

Dover used to have on its list John Maxson Stillman's massive "The Story of Early Chemistry" (1924), re-titled as "Story of Alchemy and Early Chemistry" (1960; currently available under the newer title from Kessinger, with many other of Stillman's writings, as well as from dealers, used). This was heavily weighted toward offering evidence of actual experiments and chemical knowledge, as indicated by the book's original title. It was (and is) an interesting book, and had a valid approach, but it pretty much took for granted that Alchemy was of genuine interest mainly as a "primitive" stage in the development of "real" chemistry, with mistakes that needed to be corrected. Holmyard sees it as an episode in intellectual history in its own right, which I find far more satisfying.

Holmyard therefore makes the effort to show that alchemical ideas did not circulate in isolation, confined to narrow groups of specialists, but played a part in the history of philosophy and high culture. Where Stillman quoted alchemical recipes, and "translated" them into modern terms, Holmyard (who does offer a few), regularly includes translations of programmatic statements, citations from medieval encyclopedias, and excerpts from literary works on alchemical themes. His summary and running commentary on Chaucer's "The Canon's Yeoman's Tale" is a pleasure in itself, and at the same time an addition to his roster of tales about the tricks played by con-men cashing in on the name of alchemy.

There is an even better story of a brilliant con, from medieval Damascus, which Holmyard retells very briefly on pages 96-97; unhappily, this is one of places where Holmyard doesn't cite the source. He gives an interesting, rather sad, account of a wandering Scot, Alexander Seton, and some European associates, in the Holy Roman Empire of Rudolf II, which involves the often problematic relations of the enthusiastic, the gullible, and the truly dishonest. This has a place among other biographies of English, Scots, and French alchemists, three chapters which are followed by some concluding accounts of supposed transmutations in the seventeenth and eighteenth centuries -- one still mysterious, one demonstrably fraudulent, and one farcical -- and a brief Epilogue and Glossary.

18 of 20 people found the following review helpful.
Alchemy as Nascent Chemistry
By BlueJay54
This pleasant little primer on alchemy was first published in 1957, by a respected British historian of chemistry. His view on alchemy is summarized by his quotation of Socrates on the Pre-Socratics (even then known only through fragments): he agreed with what he could understand and, as for what he couldn't, he could only guess that perhaps they were right. So our author is not overly judgemental about the early alchemists, mistaken as they must be the philosopher's stone and ignorant of the fundamentals of modern scientific chemistry. The book is very uneven: only 8 pages on Greek alchemy (including barely 2 pages on Zosimos) but 65 pages on Islamic alchemy--a fact that reflects his decided slant toward the more modern, scientific alchemists. The most interesting and useful sections concern his biographies, especially a whole chapter on Paracelsus and a chapter each on Scottish and French alchemists. Especially interesting is his story about Alexander Seton (p.223-232) who, like a true Merlin or Taoist wizard, quietly toured Europe having unbelievers transform gold from lead with his secret powder, never touching the preparations himself. Still, our author concludes that the innumerable accounts by reliable eyewitnesses were all, somehow, fakes--a conclusion he reaches after "rejecting as we must the hypothesis that Seton effected genuine transmutations" [p. 232]. That should give you a taste of this opus. You will need to look elsewhere for psychological (Jung) or hermetic (Goddard, Evola) perspectives on alchemy. Nevertheless, this is a decent historical overview of the field and not a bad place to start.

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Rabu, 26 November 2014

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  • Sales Rank: #1182752 in Books
  • Published on: 2007-10-31
  • Original language: English
  • Dimensions: 11.10" h x 8.39" w x 1.06" l, 3.92 pounds
  • Binding: Hardcover
  • 360 pages

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