Selasa, 31 Desember 2013

[E136.Ebook] Download Ebook The Workbench Design Book: The Art & Philosophy of Building Better Benches, by Christopher Schwarz

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The Workbench Design Book: The Art & Philosophy of Building Better Benches, by Christopher Schwarz

The Workbench Design Book: The Art & Philosophy of Building Better Benches, by Christopher Schwarz



The Workbench Design Book: The Art & Philosophy of Building Better Benches, by Christopher Schwarz

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The Workbench Design Book: The Art & Philosophy of Building Better Benches, by Christopher Schwarz

The follow-up book to Workbenches: From Design & Theory to Construction & Use

Complete plans, expert instruction and rationale for building nine workbench formsInstruction on improving existing workbenches for better workholding and an improved woodworking shop.

The Workbench Design Book not only shows how to design a workbench―it also discusses and presents nine specific designs plus critiques of 10 additional workbenches, with suggestions for making any bench work most effectively for the kind of work the user does. The 9 workbench plans have a range suitable for all workshop needs, from handwork to power tools. A discussion of workbench design rules teach what's effective and why in a multitude of workshop situations. Additional workholding options―from shop-made jigs and commercial bench dogs to vise hardware―are also provided.

  • Sales Rank: #66942 in Books
  • Published on: 2011-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .90" w x 8.50" l, 2.80 pounds
  • Binding: Hardcover
  • 256 pages

About the Author

Christopher Schwarz is the editor of Popular Woodworking magazine and a contributing editor to The Fine Tool Journal. He's the author of Workbenches: From Design & Theory to Construction & Use and Handplane Essentials and is the host of 6 DVDs on hand-tool usage produced by Lie-Nielsen Toolworks and many DVDs for Popular Woodworking magazine. He's taught classes on workbenches and handtools all over the world, and will appear in 2011 on the long-running PBS show The Woodwright's Shop with Roy Underhill. The Popular Woodworking magazine staff contributors are also recognized experts in their woodworking specialty areas.

Most helpful customer reviews

18 of 19 people found the following review helpful.
Exceptional Guide to Designing Your Own Workbench
By Nick D.
Kudos to Chris Schwarz et al. for revisiting the first book and creating this exceptionally well-written and researched collection of work!

~ Hundreds of photos detailing key fabricating and assembly processes
~ Nine plans that are also available in Google SketchUp format
~ Numerous practical thoughts and interesting philosophies to guide you to build a great customized bench
~ Chapter devoted to work holding hardware, (but does not discuss the brilliant BenchCrafted Criscross)
~ Entire chapter of drawings on bench designs that an intermediate woodworker could easily build from
~ Nice section on building a wall hung tool rack
~ Chris's challenge: Chapter Seventeen, The Best Bench Never Built

If you are up to the task of creating a bench to last a lifetime, you'll love this book.

Nick D. Benson
Operations Manager

National Center for Craftsmanship
Fort Collins, CO

16 of 17 people found the following review helpful.
Very good, but mostly a collection of articles
By Dimsdale
It is hard to tell if what you are reading, at some points, is by the author or another of his journalist colleagues. That said, I found this book to be very useful in building my own workbench. I would not not say that this book is essential, but that it is very helpful.

You may want to look elsewhere if you are a power tool, or hybrid style woodworker. Although the author attempts to describe some of the differences, he is honest in his preferences, and I felt the need to adapt my own design for my own needs. This is not a criticism, just an observation.

One other note. Since the author's approach is to describe his own "superior" design and then critique several other designs against his, if you don't like his "best" design, you may be frustrated with his singular-design-centrism.

11 of 11 people found the following review helpful.
All you ever wanted to know about workbenchs
By CaptBomber
Very well written book, one of the few that made me laugh while learning. The author covers quite a few different workbench's, different methods of construction, different types of vises and there placement. The author also explores different types of woods to use in the construction of the workbench. He includes plans for each bench discussed along with an evaluation of each built. Yes, he actually built the workbenches and he includes the pros and cons he discovered during and after the building. He discusses what he would change on the builds and why he would do the build differently in the future. Best I have read on the subject, I would recommend that it be included in the library of any friend who asked me about the book.

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Senin, 30 Desember 2013

[M420.Ebook] Download PDF How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, by Elijah Wald

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How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, by Elijah Wald

"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hip hop.

As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs, and interviews--to highlight how music was actually heard and experienced over the years. And in a refreshing departure from more typical histories, he focuses on the world of working musicians and ordinary listeners rather than stars and specialists. He looks for example at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up the bulk of its early audience. Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, and the Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those bright stars we all know today, and who more accurately represent the mainstream of their times.

Written with verve and style, How the Beatles Destroyed Rock 'n' Roll shakes up our staid notions of music history and helps us hear American popular music with new ears.

  • Sales Rank: #217060 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.00" w x 9.20" l, 1.04 pounds
  • Binding: Paperback
  • 336 pages

From Bookmarks Magazine
Revisiting original sources to understand how music has been received over the past century, Wald neatly traces the evolution of popular music. As with many books that set out to prove sensational claims in the title (the Christian Science Monitor calls the book's tag "blatantly disingenuous"), Wald's work doesn't really deliver on its claim (or, in fact, pay it a great deal of attention). But look past the title, and readers will discover that even when he's not being provocative, Wald can be thought-provoking, as in his profiles of lesser-known musicians and their influence on subsequent generations of musicians. Those pieces complement more mainstream -- and, in Wald's hands, refreshingly honest -- discussions of superstars and issues of race and gender. The result, despite the Los Angeles Times's sharp criticism of the thesis, is both passionate and informative.

Review

"I couldn't put it down. It nailed me to the wall, not bad for a grand sweeping in-depth exploration of American Music with not one mention of myself. Wald's book is suave, soulful, ebullient and will blow out your speakers."--Tom Waits


"Wald is a meticulous researcher, a graceful writer and a committed contrarian... an impressive accomplishment."--New York Times Book Review


"A complex, fascinating and long-overdue response to decades of industry-driven revisionism."--Jonny Whiteside, LA Weekly


"It's an ambitious project, but Wald's casual narrative style and eye for a juicy quote give it a lightness that even a novice to pop, rock, or jazz history can appreciate... The title is appropriate: This is a provocative book, in all the right ways."--The Onion AV Club


"Wald is a sharp, fair critic eager to right the record on popular music... deepens the appreciation of American popular music."--Boston Globe


"This is a debatable premise... you don't have to agree with it to admire this book... It is as an alternative, corrective history of American music that Wald's book is invaluable. It forces us to see that only by studying the good with the bad--and by seeing that the good and bad can't be pulled apart--can we truly grasp the greatness of our cultural legacy."-- Malcolm Jones, Newsweek


"A serious treatise on the history of recorded music, sifted through his filter as musician, scholar, and fan... It's a brave and original work that certainly delivers."-Christian Science Monitor


"A smart, inclusive celebration of mainstream stars, such as 1920s bandleader Paul Whiteman and the Fab Four, who introduced jazz, blues, and other roughhewn musical forms to mass audiences."--AARP Magazine


"A powerfully provocative look at popular music and its impact on America."--Dallas Morning News


"Elijah Wald is a treasure... There is far too much in these 300 pages to even summarize here. Wald is an economical and lucid writer with an amazing grasp of his subject. I know quite a lot of musical history, and I did not find a single clinker in this symphony of renewal and re-examination."--Winston-Salem Journal


"As catchy and compelling as a great pop single, this revisionist retelling is provocative, profound and utterly necessary... Clearly the product of years of passionate research, it's so rife with references and surprising anecdotes that it's potentially overwhelming, but Wald makes a superlative tour guide-- frank, funny and generous but judicious with his inclusions-- and his book is a beguiling, blasphemous breeze."--Philadelphia City Paper


"Elijah Wald's provocative, meticulously researched new book, How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music, turns the stock rock-and-roll narratives on their head."--Very Short List


"Brilliant and provocative... the most challenging and head-clearing history of American popular music to be published in decades."--The Buffalo News


"Wald explains musical and recording techniques and sociological phenomena in an engaging style accessible to a wide range of readers. Throughout, he makes a compelling case for why the figures most historians have disregarded or footnoted need to be considered in order to understand the totality of American popular music. This is an ideal companion to the plethora of standard histories available. Highly recommended." --Library Journal starred review


"Wald's arguments are as nuanced as his scope is wide, which makes this a fascinating and useful volume--required reading for any fan of pop music."--Memphis Flyer


"Fascinating... It's hard to imagine any American music buff coming away from this book without a fresh perspective and an overwhelming desire to seek out Paul Whiteman CDs. Highly recommended."--San Jose Mercury News


"Wald's book may be the literary equivalent of revisionist Civil War histories which tell the war through the eyes of soldiers rather than the generals, for he highlights how consumers actually heard and experienced music over the years, whether as screaming teeny-boppers watching Dick Clark's Bandstand or swing afficionados dancing to Glenn Miller at the Roseland."--HistoryWire.com


"A subtle polemic, one that is fundamentally broad-minded and seeks to educate the reader on the rich legacy and development of American popular music, the music that spawned the Beatles and from which that group departed, for better and worse."--Brooklyn Rail


"Walds eminently readable book is a scholarly, provocative and opinionated account of the history of pop music from Sousa to the Stones, from genteel parlor piano recitals to arena rock spectacles."--Kansas City Star


"A bracing, inclusive look at the dramatic transformation in the way music was produced and listened to during the 20th century... One of those rare books that aims to upend received wisdom and actually succeeds."--Kirkus Reviews


"Some of the smartest historiography I've ever read. The examples and turns of phrase sometimes make me laugh out loud, and nearly every page overturns another outmoded assumption. Wald just calls it like he sees it and transforms everything as a result."--Susan McClary, MacArthur Fellow and author of Feminine Endings: Music, Gender, and Sexuality


"This is a ground-breaking book, a muscular revisionist account that will get people thinking quite differently about the history of pop music. I've learned much from it and admire the writing style that is so light on its feet, lucid and elegant."--Bernard Gendron, author of Between Montmartre and the Mudd Club: Popular Music and the Avant Garde


"Meticulously researched."--Bookforum.com


"A fascinating and scrupulous piece of pop scholarship...Tantalizing." --Paste Magazine


About the Author

Elijah Wald is a musician, writer and historian, whose books include Escaping the Delta: Robert Johnson and the Invention of the Blues; Narcocorrido, about the modern Mexican ballads of drug trafficking; The Mayor of MacDougal Street (with Dave Van Ronk), and Global Minstrels: Voices of World Music. He is currently teaching at UCLA, and contributing regular pieces to the Los Angeles Times. For more information, please visit www.elijahwald.com.

Most helpful customer reviews

60 of 60 people found the following review helpful.
Ignore the main title and focus on the sub-title
By R. M. Peterson
As I understand it, Wald's principal thesis, which is reflected in the somewhat provocative main title, is the following: As rock/pop performers -- of which the Beatles were the most conspicuous example -- began to see themselves more as "artists", they consciously aspired to create "high" or "serious" art and in the process divorced themselves and their music from entertainment and, especially, from dancing. At the same time, in part because it is easier to write about "art" than "entertainment," the media pushed the notion that these self-conscious, auteur-ish, studio products were indeed "art", something to be taken and discussed seriously. The two impulses fed and reinforced one another, pushing white rock/pop music further and further away from entertainment, dancing, and (for the first time in 20th-Century popular music) black music. By 1969, "[r]ock had become a white genre."

Whether or not you agree with that thesis (and Wald does marshal enough points and arguments in support of it that I come away willing to accord it some measure of validity), HOW THE BEATLES DESTROYED ROCK 'N' ROLL is still quite valuable as a history of American popular music in the 20th Century (or, ragtime through disco). Especially interesting to me were the discussions of how technological changes -- including recording itself, then advances in recording and developments in the methods of "delivery", such as radio, television, and LPs -- affected popular music. Other influences were economic in nature (the Depression) or political (Prohibition, World War II). I also appreciated the profiles, many of which are several pages in length, of key figures of American pop music, such as Paul Whiteman, Guy Lombardo, Benny Goodman, Mitch Miller, Frank Sinatra, and Harry Belafonte.

Wald is pragmatic and instructive on the blurred dividing lines of genres. For example: "[M]ost of our modern musical genres [are] at root simply marketing categories--that is, we call something jazz or rock less because of any inherent musical characteristics than because we think it will be of interest to people who consider themselves jazz or rock fans." Wald is sensitive to, and intelligently discusses (without letting the matter take over his book), the many manifestations of racial prejudice in the last century of American pop music. Best of all, the book reflects a mature perspective on the very exercise of musical history and criticism. For example, he introduces his book by quoting Charles Rosen (a distinguished classical pianist and critic) to the effect that a music critic does not have to love a work of art or a style in order to write about it critically, but the critic must at least recognize and allow for the fact that other people do love that work or style. In addition, Wald also recognizes that most of those who write music criticism are not the average music fans: "It is often said that history is written by the victors, but in the case of pop music that is rarely true. The victors tend to be out dancing, while the historians sit at their desks, assiduously chronicling music they cannot hear on mainstream radio."

On the negative side, the book drags at times, and some points seem belabored or over-illustrated. I also sense that it could have been organized better. Perhaps shorter chapters or periodic "sign-post" headings would have helped. (But then again, it is published by Oxford University Press, so those kinds of reader-friendly devices might violate the house style.) Whatever the reason was, I could only read a chapter or two at a time. I therefore give the book 4.5 stars and round down to four. Still, whatever you think of the book's title and the thesis that gave rise to it, HOW THE BEATLES DESTROYED ROCK 'N' ROLL is a fine book.

70 of 73 people found the following review helpful.
Misleading Title but a Good Music Book
By Mr. Bey
Accusing one of the greatest bands in history of destroying rock and roll is a bold statement. However this book doesn't really focus on that notion at all. How the Beatles Destroyed Rock n Roll focuses more on the history of music with greater attention focused on lesser known bands that Wald felt were relevant to music. The book has heavy emphasis on Jazz and ragtime so if that isn't your cup of tea then this book is not really for you.

The book reads like Howard Zinn's A People's History of the United States but from a music perspective. Wald throws out popular notions of who was relevant to the formation of modern day music and explores the lesser known bands. This makes for a pretty interesting historical perspective on something we all know and love but it wasn't what I was expecting from the book. In fact the Beatles are rarely mentioned at all in it.

To make a long story short if you're a fan of music historiography then you'll enjoy How the Beatles Destroyed Rock n Roll. If you're looking for an book that focuses on the darker side of the fab four however, you're out of luck.

39 of 43 people found the following review helpful.
The Beatles? Who were they?
By Lee Hartsfeld
I figure I'll get my complaints out of the way first, starting with the terrible title. Yes, the media has pretty much reduced popular music history to (pick one) The Beatles, Elvis Presley, and Frank Sinatra, so it may be that, to get readers, an author has to name-drop one of those three. Imagine if the title had mentioned Earl Fuller, Paul Whiteman, Billy Murray, or Lawrence Welk--the volume might be gathering dust in a Big Lots bin as we speak. Still, "How the Beatles...." is so very misleading as to be a shame. Then again, if it succeeds in grabbing attention, more power to it.

My second major gripe--Wald's assertion that mood music "would have made little sense without long-playing discs" (i.e., prior to 1948), since its main function was "to create a lingering, romantic ambiance." Well, no. Mood music originated as material for silent movies, the musical stage, and early radio, and it proliferated on disc--examples by Paul Whiteman, Erno Rapee, Domenico Savino, and Andre Kostelanetz are common items on eBay. Many of the staples of mood music are 19th and early-20th-century light works that were also staples of early sound recordings--"Narcissus," "To a Wild Rose," "Old Folks at Home," "In a Clock Store," etc.

Finally, I can't help thinking that Wald has exaggerated the gap between early sound recordings and what was happening, performance-wise, outside of the recording studio. Granted, sound recordings provide a limited document, given the particulars of the medium (length, sonic limitations, the use of studio musicians, the recording process' lack of portability, etc.), yet I find no basis for presuming a huge disconnect between what we hear on 78s and what we might have heard "live," especially given that recordings initially followed from (and were necessarily derivative of) other media such as sheet music, pit band orchestrations, music hall sketches, etc.

What I liked, on the other hand, could fill a book. First and foremost, Wald is to be praised for treating popular music as just that--popular music. As in, the music that people listened to, vice the music that critics think people SHOULD HAVE listened to. It's a sad comment on music journalism that it's taken this long for the concept of "popular" to take hold, but late is better than never. That his approach has been received as revolutionary is a bit scary, not least of all because it's true. Again, better late than never.

And his coverage of the impact of rock and roll on jazz, etc. is the savviest account I've yet seen--yes, absolutely, beyond a doubt, rock and roll was seen at the time (by professional musicians, at least) as a triumph of amateurism, which it was to an extent. My jazz-musician father and his friends expressed this view again and again over the years, and even as a kid I could hear the difference in competence between the jazz on my parents' hi-fi and the rock on the radio. My father did surprise me at one point by describing rock and roll as something jazz brought on itself by becoming too remote in its complexity from the popular audience. Wald is also spot-on in his description of Mitch Miller as, more or less, the inventor of modern record production. And I suppose that Paul Whiteman and the Beatles performed similar functions in (what's the best term?) Europeanizing African-American pop music (jazz and R&B, respectively), in making dance-oriented music more a thing to listen to by adding Classical trappings (Ravel, in the case of Whiteman; string quartets and tape loops in the case of the Fab Four).

Greatly appreciated, too, is Wald's emphasis on the sheer, amazing scope of black popular music over the decades, even as PBS and other forces of conventional thinking continue to stereotype same as loud, pounding, and--worst of all--a thing of musical illiteracy, of feeling and instinct over formal accomplishment. Not that white performers haven't been typecast in similar ways--for instance, if Bob Dylan knows the chord changes to "Stardust," the rock press would kill to keep it from coming out--but African Americans are especially the victims of the "natural" cliche--natural rhythm, natural feeling for melody, etc., and never mind that Duke Ellington, James Reese Europe, and Scott Joplin rank among our best-educated and most innovative musicians.

Unlike probably most readers, I came to this volume with a strong orientation in pre-rock pop music--nothing in here is especially "new" to me, but much of the treatment is. Some reviewers have criticized Wald for taking on too much, but he didn't have much of a choice, really, given that basic pop music history is the victim of such neglect. He's taken on a long-overdue task, and there's bound to be a rushed, unfocused quality to some of the text--mainly because he's covering so much new ground. New ground that should not be so. Considering the hugeness of the task, Wald has done a brilliant job. Five well-deserved stars.

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Jumat, 27 Desember 2013

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Nitrogen is one of the most critical elements for all life forms. In agricultural systems it is essential for the production of crops for feed, food, and fiber. The ever-increasing world population requires increasing use of nitrogen in agriculture to supply human needs for dietary protein. Worldwide demand for nitrogen will increase as a direct response to increasing population.

Nitrogen in the Environment provides a wholistic perspective and comprehensive treatment of nitrogen. The scope of this book is diverse covering a range of topics and issues related to furthering our understanding of nitrogen in the environment at farm and national levels. Issues of nitrogen from its effects on crops and human nutrition to nitrogen in ground water, watersheds, streams, rivers, and coastal marine environments are discussed to provide a broad view of the problem and support scientists, researchers, and engineers in formulating comprehensive solutions.

* The only source which presents an international, wholistic perspective of the effects of nitrogen in the environment with worldwide mitigation practices

* Provides details on how to improve the quality of the environment by analyzing the development of emerging technologies

* Develops strategies to be used by soil scientists, agronomists, hydrologists, and geophysicists for broad scale improvement of nitrogen efficiency

  • Sales Rank: #4228549 in Books
  • Published on: 2008-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.25" w x 1.25" l, 2.30 pounds
  • Binding: Hardcover
  • 720 pages

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0 of 0 people found the following review helpful.
Excellent Book
By Albert L. Sims
This book was exactly what I was looking for and expected. This will become a very valuable reference for me as I move forward in my research program. The buying experience was simple easy, and efficient.

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Rabu, 25 Desember 2013

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Relationships have the potential to drastically improve our lives, or to sucker punch us in the emotional gut. Impactful as these interpersonal ties can be, it's worth the effort to become more familiar with them, question a lot of our default notions that surround them, and calibrate them to best suit our needs and those of the people we care about.This is a book for people who want it all when it comes to relationships: something tailor-made for their unique beliefs, goals, desires, and lifestyles. This is a book for people who aren't afraid to ask, "How might we do this better?"Includes a foreword by Joshua Fields Millburn, author of Everything That Remains and The Minimalists.

  • Sales Rank: #458646 in Books
  • Published on: 2015-07-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .26" w x 5.00" l, .27 pounds
  • Binding: Paperback
  • 104 pages

About the Author
Colin Wright is an author, entrepreneur, and full-time traveler. He moves to a new country every four months based on the votes of his readers, and is the co-founder of Asymmetrical Press. Colin has been featured through his work and interviews on hundreds of TV stations, newspapers, magazines, blogs, and podcasts, worldwide.

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6 of 6 people found the following review helpful.
Full of insightful and highly practical advice
By Jacobm
I’ve been a fan of Colin’s writing for quite some time. I particularly enjoy his coverage of travel, lifestyle design and entrepreneurship.
I remember my surprise when he touched on relationships in one of his travel books, «Iceland, India, Interstate» (which I highly recommend, by the way). He wrote about the topic in a way I had never encountered before. It was written with an unconventional touch, just as his lifestyle design writing tends to be. After finishing "Iceland, India, Interstae", I pondered more on the relationship tidbits in it, than on the book's main topic of travel. Thus, I was eager to read «Some thoughts about relationships», letting me take in a whole book on the subject.

Colin’s unconventionalism in the realm of relationships includes interesting episodes. One of many examples is hosting a break-up party with his girlfriend. "We invited all our friends over to celebrate the end of a wonderful relationship that was in the way of our respective next steps». Such experiences give him an open-minded view on various ways people may structure their relationships with others. Many such structures, conventional and otherwise, are proposed in this book. Yet, they never even hint at being judgemental towards any way people may want to live their social lives, however far outside the "norm" they may be.

His advice is pragmatic and actionable in most instances. I found myself jotting down action items in my notebook as I read along, leaving me with plenty of food for thought on how I can interact with others in the future. Colin organized his book by «policies» for relationships, ranging from the very early stages of one, all the way to an eventual post-break-up phase. Again, his advice is consistently actionable while at the same time non-imposing. Except for «Never break implicitly or explicitly agreed-upon relationship rules» and a few others, there are few hard rules here, but many a great suggestion. Those suggestions were food for thought for me. This book has undoubtedly given me way more insight and genuine value than the opportunity cost of it – a $4 Starbucks latte – could ever provide.

4 of 4 people found the following review helpful.
Just like most of Colin's work
By Nora Benson
Just like most of Colin's work, I could not stop reading once I got started! Luckily its a relatively quick read and I was able to finish it in one sitting.

"Some Thoughts About Relationships" does a great job of getting a lot of interesting perspectives on romantic relationships across in a short amount of space. Many of the concepts in this book resonated with my own ideas about relationships, though they were expressed much more eloquently than I ever could have expressed them myself. The book is broken up into relationship policies-some of the most interesting for me were "The One" Policy, Friends First Policy, Campsite Policy, and Sex Policy.

All in all, I can pretty much guarantee this book have you thinking about some aspect of your relationships in a new light. Would definitely recommend spending the $4 for that alone.

3 of 3 people found the following review helpful.
Smart and Fresh
By jemma wilcock
I recently downloaded the audio version of this book, I am travelling at the moment and needed something that would allow me get interested, think and be surprised on a planned flight. The book more than fulfilled these three requirements.

I feel that I am an open minded and thoughtful person and yet, listening to this book (in one whole sitting) made me rethink some of my perceptions and in some personal specific ways helped me lift a great big weight from my shoulders.

It is a smart and refreshing look at relationships and the people within them by being incredibly rational, kind and in no way judgemental to any way of life or choice that another person might make. I solidly believe that if more people reacted and acted in ways inspired by this book within their relationships (romantic or otherwise) the world would be a better place.

Also as a side note, if you are picky about the narration of a book (like me), I can say that it is top notch and not at all distracting from the content.

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Selasa, 17 Desember 2013

[F285.Ebook] PDF Ebook Tea Fungus Kombucha: The Natural Remedy and its Significance in Cases of Cancer and other Metabolic Diseases, by Rosina Fasching

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Tea Fungus Kombucha: The Natural Remedy and its Significance in Cases of Cancer and other Metabolic Diseases, by Rosina Fasching

For centuries, Kombucha has been a popular remedy in eastern Asia. On account of its beneficial effect in the case of metabolic diseases, it has now been accepted in Europe. Same as the Kefir fungus, it is a sprouting fungus with antibiotic properties. Rudolf Sklenar, MD, has successfully applied Kombucha in cases of metabolic diseases and other chronic ailments, even cancer, during his thirty years of medical practice. This book describes the fungus, its history and its geographical spread, its effect and its contents. In Part II of the book I provie why with cancer therapy in particular an antibiotic remedy has to be applied.

  • Sales Rank: #1955309 in Books
  • Brand: Brand: Ennsthaler Publishing
  • Published on: 1995
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 96 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Three Stars
By Mary LaDue
Not worth the money or the wait to get it

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Rabu, 11 Desember 2013

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  • Sales Rank: #351556 in Books
  • Published on: 2015
  • Binding: Paperback
  • 1136 pages

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Hyperthinking is predicated on the assumption that the single most important skill required to help you and your organization thrive in the age of perpetual change, digital communications and networks is the mind-set of individuals. This includes your values, your ability to learn and ability to adapt to change. After 14 years of experience with leading global companies, author Philip Weiss has developed an approach that pulls together the ingredients needed for the modern executive to both adapt and thrive in this new age. The Hyperthinking model has been developed and tested on teams, clients and the author’s networks with great success. The book explains how Hyperthinking can apply to different facets of our lives, starting from our personal experience and our role in society and shows how to adapt better to the new business world. Hyperthinking is a set of values and tools that, used in combination, enable individuals to embrace change develop their creativity and effectively engage in the digital age. It has been tested by a variety of business executives and helped them to understand change, as well as overcome fear or resistance to technology. Philip Weiss offers the perfect antidote to information overload; a wonderful blueprint for personal and organizational innovation; and a set of perspectives to help us all make sense of a fast-changing business environment. Read it and start Hyperthinking!

  • Sales Rank: #1589157 in Books
  • Published on: 2012-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .41" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 192 pages

Review
'Networks don't just change the way we interact with each other; they change the way we think, we learn and how we make decisions. Philip Weiss' HyperThinking captures the essence of these changes convincingly and provides you with a clear route to the thinking processes you will need to survive and thrive in this radically new and fast-changing business environment.Thomas Power, CEO and founder Ecademy 'Shifting your thinking patterns is the key to embracing change. HyperThinking is the kind of book you should read when you are in the middle of change, of a conflict, when you're managing a difficult project, when you just changed jobs, when you had your first child, when you just retired. It's a book about the way we think, or rather the way we think we think, and what this means for the rest of our lives. What this book taught me is that we have to live in a world where we cannot rely on traditional thinking patterns - these must be continuously challenged if we want to adapt to the ever-changing environment we live in. This is called hyperthinking, and it is giving people who want to make an impact on the world we live in a competitive edge. Some are natural-born hyperthinkers, others will have to learn it the hard way. This book will give you a headstart and will provide for an enjoyable and thought-provoking read. I'm proud to be a hyperthinker. Soon, you will feel the same way too.'Aurelie Valtat, Digital Communications Manager, European Council'HyperThinking reminds us that we live in a constant flux of ideas and events, propelled along by the economics, technology and politics of our time. But Phil Weiss takes us beyond Heraclitus as he explores the tools for navigating the ever-changing river. By embracing the four modes of hyperthinking, everyone can move beyond convention and the fear of failure, and flex their thinking-muscles for innovative outcomes. In spite of the proven results over 100 years of the Montessoris and Steiners and Neills and Piagets of this world, most national education systems still turn out far more conformists than iconoclasts - possibly a good thing for the stability of society, but not for stimulating life-long creative learning. With HyperThinking, Phil Weiss shows how to shed sluggish groupthink and apply heuristic playfulness to your workday - or even personal - problems. How to leave behind the conservatism of traditional formal education and shift to more creative solutions by enthusiastically engaging technology in networking and learning. Read this book before a hyperthinker makes your job irrelevant!'Ian Andersen, External Communications Adviser, European Commission'Phil Weiss invented the concept of Hyperthinking. In these pages he brings his ideas alive and shares the principles with a flair for storytelling and an eclectic mix of sources, examples and case studies. He's the Tony Buzan of the internet generation.'Marc Wright, Chairman, simplygroup'Change - be it cultural, social or economic - seems to have hit hyperspeed as technology facilitates ever faster and easier social networking. Weiss takes a long, unblinking look at this world in constant flux, and sees only promise and opportunity. His hyperthinking approach gives readers a practical and structured way to embrace change, incorporate it into their lives, and thrive in the wild, wired west.Drawing upon great thinkers like Nieztche, Thomas Kuhn, Nassim Nicholas Taleb, and his own experiences and those of others, Weiss proposes a 4-dimensional hyper-approach. First, detachment allows yourself to see how you think, and to recognize the paradigms within which our thinking may stagnate. Then, to escape our calcified mental models we need to adopt a state of permanent learning. Playful exploration of the web and social media, allows us to connect, share and expand the reach and impact of our actions. And finally, quite simply, we are told to experiment, to act, to get out there and make things happen.Weiss demystif

About the Author
Whilst studying Philosophy, Politics and Economics at Oxford, Philip Weiss launched two college magazines, started the first student radio station on a full FM licence in the UK, and received the Young Achievers Award from HM the Queen. In Brussels he set up ZN a leading eCommunications agency working with companies, political institutions like the European Commission and Parliament and organisations on how to use the Internet to integrate and transform communication. He works with such household names as Toyota, Microsoft, Sony, Sanofi Pasteur, UCB and various industry associations. His Hyperthinking model was developed to enable the ZN team and their clients manage rapid change and innovation to adapt their strategies and structures to the age of networks. In 2009, Philip helped co-found TEDxBrussels. He is now Chairman of IABC Europe (International Association of Business Communicators).

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Senin, 02 Desember 2013

[B146.Ebook] PDF Download The Civil Rights Movement: Revised Edition (Seminar Studies), by Bruce J Dierenfield

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The Civil Rights Movement: Revised Edition (Seminar Studies), by Bruce J Dierenfield

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The Civil Rights Movement: Revised Edition (Seminar Studies), by Bruce J Dierenfield

The civil rights movement was arguably the most important reform in American history. This book recounts the extraordinary and often bloody story of how tens of thousands of ordinary African-Americans overcame long odds to dethrone segregation, to exercise the right to vote and to improve their economic standing.

Organized in a clear chronological fashion, the book shows how concerted pressure in a variety of forms ultimately carried the day in realizing a more just society for African- Americans. It will provide students of American history with an invaluable, comprehensive introduction to the Civil Rights Movement.

  • Sales Rank: #408015 in eBooks
  • Published on: 2013-09-13
  • Released on: 2013-09-13
  • Format: Kindle eBook

From the Back Cover

The civil rights movement was arguably the most important reform in American history. This book recounts the extraordinary and often bloody story of how tens of thousands of ordinary blacks overcame long odds to dethrone segregation, to exercise the right to vote and to improve their economic standing. Their civil rights movement required unfathomable courage and persistent agitation, during which many activists sacrificed their homes, jobs and lives.

Written in a lively and accessible style, the book:

  • Provides a detailed discussion of the racism that accompanied slavery in America and thereafter consigned blacks to an inferior position
  • Addresses the actions of white racists, white liberals, and black reformers and radicals
  • Discusses local reformers who laboured for years to get the movement off the ground
  • Provides documents covering the most important aspects of the modern civil rights movement
  • Contains Maps and Photographs, as well as a Glossary, a Chronology, a Who's Who list of key figures, and a Bibliography.

 

Organized in a clear chronological fashion, the book shows how concerted black pressure in a variety of forms ultimately carried the day in realizing a more just society for African Americans. It will provide students of American history with an invaluable comprehensive introduction to the Civil Rights Movement.

Bruce J. Dierenfield is Peter Canisius Distinguished Teaching Professor of American History at Canisius College in Buffalo, New York.

About the Author

Bruce Dierenfield is a Professor of History, Canisius College

Most helpful customer reviews

6 of 7 people found the following review helpful.
Great Primer
By J. Aragon
I just found this book in the new book shelves at the university library. What a find! This book is a perfect primer for someone wanting to learn about the early Civil Rights Movement in the USA. It is also perfect to use in the classroom. The margins are filled with information about the various key players. The author also included a timeline, important documents, a list of important key figures in the movement, and other useful matter.

This book is useful for teachers who teach: American History, Civil Rights, Social Movements, African American History, and American Politics. The book is written well and is not filled with academese. It's an engaging read about a pivotal point in the history of the US.

2 of 2 people found the following review helpful.
Great Book!!!
By Ashely B.
The book is great for getting a very detailed account of the history of the civil rights movement. The terms and the timeline are also very helpful and things that you won't find so clearly laid out in other books.

There are some verbs and descriptions that the author uses too loosely, as though he were there at the historical events about which he's speaking, but it doesn't really matter because you will most likely be reading the book for the historical facts and terminolgy.

It's an easy read and a book that you should keep so that you can go back to it for research and just in general.

1 of 1 people found the following review helpful.
civil rights
By nette
This book was very good with lots of information it was a bit sad to see how people treated african americans back then thank god we overcame i dont think i could live like that in todays time we owe alot to the movement

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Minggu, 01 Desember 2013

[I620.Ebook] Download PDF Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

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Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

This drawing tutorial from best-selling author Christopher Hart shows artists how to draw exaggerated musculature of super-sized figures in action poses.

  • Sales Rank: #519706 in eBooks
  • Published on: 2014-04-22
  • Released on: 2014-04-22
  • Format: Kindle eBook

From School Library Journal
Adult/High School–While it won't replace a more traditional study of anatomy, this book covers the basics in good detail, always relating the discussion of bones and muscle groups to the exaggerated physiology found in comic books. The illustrations are lavish, often in full color, with black and white used for the drawings where color would obscure the lesson being imparted. A mixture of comic-book-proportioned anatomical drawings and finished art helps to show the transition between fact and presentation, with the text highlighting what has been emphasized as well as what has been left out to get the proper look. The last part of the book includes a discussion of how the comic-book business works and several interviews with artists, all of which drift from the topic of anatomy somewhat but is still useful and interesting. Attractively presented and educational, this title will be popular with comic-book fans who like to draw.–Paul Brink, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 6 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

Most helpful customer reviews

42 of 47 people found the following review helpful.
A Pleasent Surprise
By Matthew Pulido
I am an artist by trade. I grew up wanting to draw comics. Since getting an art (illustration)degree I have used my talent mainly on local adds and a few small book projects. But I still read comics, and draw them when I can.

I stumbled on this book in Barnes & Noble's one day, and flipped through it and it's counter part on Cutting Edge Comics. Both impressed me, so I picked this one up and put the other on my short list.

Anatomy is a tricky subject. I studied it in college, and a have a decent understanding. I own several other anatomy books, and even the art ones seem more for doctors than artists. And lets face it, comic book characters arn't built like normal people. All that said, I think this book does a wonderful job of laying out the muscle groups, explaining how they work, and exagerating them for comic book use. Both scientific and common terms are used, everything is in plain english, and there are plenty of examples. While at times it seems more like a referance guide than a how to book, that isn't really a problem. Every great artist knows the value of good referances. Over all the art is of an above average quality, with a few gems here and there. While it may not be as flashy as some of the best art currently being published in comics, it's still clear, well done, and easily gets it's point accross.

I don't think an young artist can go wrong giving this book a look.

24 of 27 people found the following review helpful.
another opinion . . .
By sarah palaszynski
i am an illustrator and a recent art college graduate and i actually found this book very informative and helpful.

i was surprised by the negative reviews of the book because i saw it as a very adequete refresher course of the lessons and ideas i learned in my classes while majoring in Illustration.

it covers 7 (and sometimes 9 and 12) head anatomy, muscles and how they react while in action, facial muscles, veins, and skeletal structure.

it also covers important details like body language, eye structure, LIGHT SOURCES, and surface mapping (to get an impression of the form and dimension s of the body).

i'm actually using a few sections of this book in a con-ed cartooning class for children i'm teaching at the moment.

i'd recommend the book if you want a quick run through of the differnt ideas for constructing the comicbook ideal of anatomy. from these ideals you can branch out into your own style and make it your own.

24 of 28 people found the following review helpful.
It made me a better artist!
By Young Artist
I am a 15-year-old and have been interested in drawing comic book art for a few years now. I started out buying How to Draw Comics the Marvel Way. It was really good, yes because well-established comic book artist wrote it, but it didn't really grab my attention. Then, I saw How to Draw Cutting Edge Comics. This book really got me into drawing comic book characters. Then, I saw that he had a new book, How to Draw Cutting Edge Anatomy. I was especially excited because drawing the actual people interested me more than drawing anything else in comics. I quickly looked through it and bought it. I have never looked back.

It honestly taught me so much. It starts with skeletal structure which, I believe, has to be the first thing an artist needs to learn before learning the rest of the anatomy. Then, it goes on to basic muscles. After this, it has many sections focusing on different muscle groups and parts of the body. While the pictures do help, it was what he wrote that helped. They way he explains what the muscles look like and how they move is very understandable. I loved it.

I have been looking for an anatomy book that's at least moderately clean - I'm just not comfortable with drawing nude figures; I just want to draw comics. There are not very many comic book drawing books out there that focus on anatomy and are still modest. This one does a great job of it and it is one of the cleanest ones I have found. Some of the pictures of the girls are seductive and immodest, but I try to not focus on that. There's so much more to learn in this book!

The styles of other how-to-draw-comics just didn't catch my attention like this one did. You see, I don't want to develop a Stan Lee or George Perez style, I want my own. Learning from an author that isn't an established artist in the comic book world seemed to ease the pressure of making my style like his. All I can say is that I love this book. It has its flaws, yes, but every how-to-draw book has its flaws. I read this drawing book, and others, but especially this one, to help me draw better. What can I say? I love it!

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